Men at the Center Jordan, William Chester
2012, 20121115, 2012-09-10
eBook
Three portraits of men who were at the very center of governance in thirteenth-century France—men who strove in the shadow of King Louis IX (Saint Louis) to impose a redemptive regime on the ...realm. Professor Jordan treats them as individuals, but in a sense they are also types: Robert of Sorbon, a churchman; Etienne Boileau, a bourgeois; and Simon de Nesle, an aristocrat. Robert was the founder of the Sorbonne; Boileau was the prévôt or royal administrator of Paris; and Simon was twice co-regent of the kingdom. Thinking about them and their relations with Louis IX opens up a new and altogether sobering vista for exploring the nature of the king’s rule and the impact of his rule on his subjects.
Black France, White Europe
illuminates the deeply entangled history of European
integration and African decolonization. Emily Marker maps
the horizons of belonging in postwar France as leaders ...contemplated
the inclusion of France's old African empire in the new
Europe-in-the-making. European integration intensified longstanding
structural contradictions of French colonial rule in Africa: Would
Black Africans and Black African Muslims be French? If so, would
they then also be European? What would that mean for republican
France and united Europe more broadly?
Marker examines these questions through the lens of youth, amid
a surprising array of youth and education initiatives to stimulate
imperial renewal and European integration from the ground up. She
explores how education reforms and programs promoting solidarity
between French and African youth collided with transnational
efforts to make young people in Western Europe feel more European.
She connects a particular postwar vision for European unity-which
coded Europe as both white and raceless, Christian and
secular-to crucial decisions about what should be taught in African
classrooms and how many scholarships to provide young Africans to
study and train in France. That vision of Europe also informed
French responses to African student activism for racial and
religious equality, which ultimately turned many young francophone
Africans away from France irrevocably. Black France, White
Europe shows that the interconnected history of colonial and
European youth initiatives is key to explaining why, despite
efforts to strengthen ties with its African colonies in the 1940s
and 1950s, France became more European during those years.
Drugging France Black, Sara E
2022, 2022-09-15, Letnik:
5
eBook
Nineteenth-century drug consumption permeated French society and encouraged the chemical enhancement of modern life. Drugging France highlights the medical histories of these drugs, chronicling how ...doctors transformed exotic botanicals and unpredictable chemicals into substances that reconfigured how people experienced their minds and bodies.
The writing and reading of history in the early Middle Ages form the key themes of this 2004 book. The primary focus is on the remarkable manifestations of historical writing in relation to ...historical memory in the Frankish kingdoms of the eighth and ninth centuries. It considers the audiences for history in the Frankish kingdoms, the recording of memory in new genres including narrative histories, cartularies and Libri memoriales, and thus particular perceptions of the Frankish and Christian past. It analyses both original manuscript material and key historical texts from the Carolingian period, a remarkably creative period in the history of European culture. Presentations of the past developed in this period were crucial in forming an historical understanding of the Greco-Roman and Judaeo-Christian past and, in subsequent centuries, of early medieval Europe. They also played an extraordinarily influential role in the formation of political ideologies and senses of identity within Europe.
The most complete study of women in French-language comics to date - and the first published in English. Taking a two-pronged approach of historical and case-study analysis, and with a chronological ...span of over a century, it is the fullest examination thus far of female depiction in Francophone sequential art. 16 plates, 7 col. 9 b/w.
When fiction and reality meet: Probably no contemporary novel has shaped reality as powerfully Houellebeck's Submission. No previous analysis of Submission is as deep and encompassing as this volume ...written by experts on politics and literature.
Beyond the Great War Ingram, Norman; Bouchard, Carl
2021, 2022, 2021-12-17
eBook
Following the end of the First World War, a new world order emerged from the Paris Peace Conference of 1919. It was an order riddled with contradictions and problems that were only finally resolved ...after the Second World War.
Beyond the Great War brings together a group of both well-established and younger historians who share a rejection of the dominant view of the peace process that ended the First World War. The book expands beyond the traditional focus on diplomatic and high political history to question the assumption that the Paris Peace Treaties were the progenitors of a new world order. Extending the ongoing debate about the success of the Treaty of Versailles and surrounding events, this collection approaches the heritage of the Great War through a variety of lenses: gender, race, the high politics of diplomacy, the peace movement, provision for veterans, international science, socialism, and the way the war ended. Collectively, contributors argue that the treaties were at best a mitigated success, and that the brave new world of 1919 cannot be separated from the Great War that preceded it.
Before he became the father of cinematic special effects, George Méliès (1861-1938) was a maker of deluxe French footwear, an illusionist, and a caricaturist. Proceeding from these beginnings, ...Méliès Boots traces how the full trajectory of Georges Méliès' career during the late-nineteenth and early-twentieth centuries, along with the larger cultural and historical contexts in which Méliès operated, shaped his cinematic oeuvre. Solomon examines Méliès' unpublished drawings and published caricatures, the role of laughter in his magic theater productions, and the constituent elements of what Méliès called "the new profession of the cinéaste." The book also reveals Méliès' connections to the Incohérents, a group of ephemeral artists from the 1880s, demonstrating the group's relevance for Méliès, early cinema, and modernity. By positioning Méliès in relation to the material culture of his time, Solomon demonstrates that Méliès' work was expressive of a distinctly modern, and modernist, sensibility that appeared in France during the 1880s in the wake of the Second Industrial Revolution.
