Fenomenología y teatro Díaz Guzmán, Omar David; Diana Triana Moreno
Cuadernos de filosofía latinoamericana,
01/2023, Letnik:
44, Številka:
129
Journal Article
Odprti dostop
Los conceptos de percepción y corporalidad en la obra de Maurice Merleau-Ponty han influido los estudios sobre filosofía del teatro. La idea de la conciencia encarnada es relevante para comprender la ...experiencia corporal y expresiva en el contexto teatral, especialmente, para indagar en la relación que se presenta entre el espectador y la obra. Así, el obejtivo de este artículo es evidenciar cómo se configura el campo fenomenal en una obra teatral en dos momentos: primero, la comprensión del escenario como núcleo articulador de la experiencia en la que intervienen espacio, tiempo y movimiento; segundo, la relación entre el actor y el espectador en términos de la gestualidad y la palabra. Se demuestra que en el teatro hay una configuración generativa de sentidos colectivos conforme a la modulación del campo fenomenal.
This paper shows how phenomenological research can enhance our understanding of what it is to experience grief. I focus specifically on themes in the work of Maurice Merleau‐Ponty, in order to ...develop an account that emphasizes two importantly different ways of experiencing indeterminacy. This casts light on features of grief that are disorienting and difficult to describe, while also making explicit an aspect of experience upon which the possibility of phenomenological inquiry itself depends.
Abstract
Attention has often been seen as a selective process in which the mind chooses which already‐formed objects to focus on. However, as Merleau‐Ponty and others have pointed out, this ignores ...the complexity and ambiguity of sensory information and imposes on it a set of already‐formed objects in the world. Rather, attention is a process by which objects in the world are constituted by the perceiving subject. Attention thus involves a process of mutual negotiation with the environment. There are connections between this and the process of
attente
described by Simone Weil, in which the perceiving subject suspends the dominant preoccupations of the ego in order to become more aware of an independent reality. This, in turn, expresses in a more modern idiom what early Christian teachers had to say about the role of attentive looking in the contemplative life.
ABSTRACT This article is the result of a bibliographic review, whose objective was to discuss the concept of subjectivity, the body and intercorporeity from the Phenomenology of Maurice ...Merleau-Ponty. For this philosopher, the body is experienced by us as an expression and fulfillment of our intentions, desires and projects. ...it is necessary to rebuild a symbolic and relational world around the human body, which instead of being domesticated or repressed, stimulates the awareness of a new social context that avoids the automation of human life. Eu nao sou o resultado ou o entrecruzamento de múltiplas causalidades que determinam meu corpo ou meu "psiquismo", eu nao posso pensar-me como uma parte do mundo, como o simples objeto da biologia, da psicología e da sociologia, nem fechar sobre mim o universo da ciencia.
Merleau-Ponty Diprose, Rosalyn; Reynolds, Jack
2008, 20141205, 2014
eBook
Having initially not had the attention of Sartre or Heidegger, Merleau-Ponty's work is arguably now more widely influential than either of his two contemporaries. "Merleau-Ponty: Key Concepts" ...presents an accessible guide to the core ideas which structure Merleau-Ponty's thinking as well as to his influences and the value of his ideas to a wide range of disciplines. The first section of the book presents the context of Merleau-Ponty's thinking, the major debates of his time, particularly existentialism, phenomenology, the history of philosophy and the philosophy of history and society. The second section outlines his major contributions and conceptual innovations. The final section focuses upon how his work has been taken up in other fields besides philosophy, notably in sociology, cognitive science, health studies, feminism and race theory.
In his late ‘A Plea for Excuses’, John L. Austin suggests labelling his philosophy ‘linguistic phenomenology’. This article examines which idea of phenomenology Austin had in mind when he coined this ...term and what light this sheds on his method. It is argued that the key to answering this question can be found in Merleau‐Ponty’s Phenomenology of Perception, which Austin must have been familiar with. Merleau‐Ponty presents phenomenology in a way Austin could embrace: it is a method, it aims at description and uses reduction, it is a non‐idealistic study of essence and interprets intentionality as ‘operative’. In this light, Austin’s method can be appreciated more fully.
The Mental State of Noise Malabou, Catherine
Angelaki : journal of theoretical humanities,
06/2023, Letnik:
28, Številka:
3
Journal Article
Recenzirano
What is the influence of music on the brain? And in what cases can this influence cause dysfunctioning? Among the different examples analyzed by Oliver Sacks, one is particularly significant: the ...phenomenon of synesthesia. Synesthesia is connected to having an extra one that associates different kinds of sensory information, music, and color. It can sometimes transform hearing music as a painful experience, transforming it into a pure literal meaning – to feel together – the secret condition for all sensations? This hypothesis is examined by the French philosopher Maurice Merleau-Ponty. After all, Wagner was subject to synesthetic syndromes.
Enquadramento: O quotidiano do motorista de autocarros é dinâmico. Muitas variáveis o cercam: a habilidade na condução e de controlar os seus medos e o cumprimento correto do seu itinerário. As ...limitações e desafios vivenciados podem desencadear um processo de sofrimento psíquico. Objetivo: Descrever as perceções dos motoristas de autocarros acerca da vivência no trânsito e os possíveis efeitos do quotidiano da mobilidade urbana nos motoristas. Metodologia: Estudo descritivo fenomenológico, pautado no pensamento de Maurice Merleau-Ponty, realizado num terminal rodoviário de autocarros, no período de julho a dezembro de 2017. Entrevistaram-se 24 motoristas de autocarros através de perguntas abertas. Resultados: Emergiram duas categorias: O trânsito é uma caixa de surpresas e O equilíbrio psicológico é necessário. Conclusão: Dar voz a estes profissionais, trazendo à luz o que acarreta o seu sofrimento, e reconhecer as suas necessidades, contribuirá para a prevenção de doenças físicas e psicológicas, bem como de acidentes de trânsito. Os motoristas rodoviários carecem de melhores condições para poderem colocar a cidade em movimento diariamente.
In the beginning of my academic career, it was my personal experience of dance practice that provided a direct impulse for studying the phenomenon of dance as art from a philosophical perspective. It ...was that same experience that drew my attention to the concept of aesthetic engagement proposed by Arnold Berleant. His theory, in my view, captures the fundamental aspects of dance in a unique way.1 That early study led me to develop and promote the aesthetics of sensitivity, which in turn created a basis for the appreciation of dance as a practice that is inseparable from life.2 Many problems explored by Berleant – such as the inseparability of perception from action, appreciation of the living and sensing body, and understanding of the space as relational and dependent on the body's motion – can also be found in the thought of Maurice Merleau-Ponty. His arguments, in my opinion, help explain factors in modern dance such as somatic engagement in the process of its perception or the performative character of an event that is inseparable from its broadly construed context or the environment in which it occurs. In the course of his academic career, Arnold Berleant has frequently referred to Merleau-Ponty's thought and, inspired by the latter's works, employed,, in his own reflection, notions such as those of chiasm, of the flesh of the world, or of the body as a field of forces – which he also used in reference to dance.3 He has been most acutely sensitive, however, to the remnants of dualistic thinking present in terminology like that of "the interior" and "the exterior," which he found even in Merleau-Ponty's work.4 This article is a proposal for one of many possible ways of re-interpreting Berleant's concept of dance as a practice in which elements of an existential nature are tightly connected with aesthetic, cognitive, or environmental ones. In this text, space in dance is not construed as something external to the body but as something emanating from its movement, merging with broadly understood surroundings, and becoming an embodiment of our being in the world.
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