A forgotten century marks the years between the Ming dynasty's
(1368-1644) turbulent founding and its sixteenth-century age of
exploration and economic transformation. In this period of social
...stability, retired scholar-official Lu Rong chronicled his
observations of Chinese society in Miscellaneous Records from
the Bean Garden (Shuyuan zaji). Openly expressing his
admirations and frustrations, Lu provides a window into the
quotidian that sets Bean Garden apart from other works of
the biji genre of "informal notes."
Mark Halperin organizes a translated selection of Lu's accounts
from Miscellaneous Records from the Bean Garden to create
a panorama of Ming life. A man of unusual curiosity, Lu describes
multiple social classes, ethnicities, and locales in his accounts
of political intrigues, farming techniques, religious practices,
etiquette, crime, and family life. Centuries after their
composition, Lu's words continue to provide a richly textured
portrait of China on the cusp of the early modern era.
"In Writing Pirates, Yuanfei Wang connects Chinese literary production to emerging discourses of pirates and the sea. In the late Ming dynasty, so-called “Japanese pirates” raided southeast coastal ...China. Hideyoshi invaded Korea. Europeans sailed for overseas territories, and Chinese maritime merchants and emigrants founded diaspora communities in Southeast Asia. Travel writings, histories, and fiction of the period jointly narrate pirates and China’s Orient in maritime Asia. Wang shows that the late Ming discourses of pirates and the sea were fluid, ambivalent, and dialogical; they simultaneously entailed imperialistic and personal narratives of the “other”: foreigners, renegades, migrants, and marginalized authors. At the center of the discourses, early modern concepts of empire, race, and authenticity were intensively negotiated. Connecting late Ming literature to the global maritime world, Writing Pirates expands current discussions of Chinese diaspora and debates on Sinophone language and identity.
Bandits in Print examines the world of print in early modern China, focusing on the classic novel The Water Margin (Shuihu zhuan). Depending on which edition a reader happened upon, The Water Margin ...could offer vastly different experiences, a characteristic of the early modern Chinese novel genre and the shifting print culture of the era. Scott W. Gregory argues that the traditional novel is best understood as a phenomenon of print. He traces the ways in which this particularly influential novel was adapted and altered in the early modern era as it crossed the boundaries of elite and popular, private and commercial, and civil and martial. Moving away from ultimately unanswerable questions about authorship and urtext, Gregory turns instead to the editor-publishers who shaped the novel by crafting their own print editions. By examining the novel in its various incarnations, Bandits in Print shows that print is not only a stabilizing force on literary texts; in particular circumstances and with particular genres, the print medium can be an agent of textual change.
A forgotten century marks the years between the Ming dynasty's (1368–1644) turbulent founding and its sixteenth-century age of exploration and economic transformation. In this period of social ...stability, retired scholar-official Lu Rong chronicled his observations of Chinese society in Miscellaneous Records from the Bean Garden (Shuyuan zaji). Openly expressing his admirations and frustrations, Lu provides a window into the quotidian that sets Bean Garden apart from other works of the biji genre of "informal notes." Mark Halperin organizes a translated selection of Lu's records to create a panorama of Ming life. A man of unusual curiosity, Lu describes multiple social classes, ethnicities, and locales in his accounts of political intrigues, farming techniques, religious practices, etiquette, crime, and family life. Centuries after their composition, Lu's words continue to provide a richly textured portrait of China on the cusp of the early modern era. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.
The article argues that Wu Ming 2’s Il sentiero luminoso (2016) and Giuliano Santoro’s Su due piedi. Camminando per un mese attraverso la Calabria (2012) describe walking as an activity which allows ...one to recognize the social modifications of space, and to rethink the geographies of suburban areas in Italy. This analysis resounds with Robert P. Marzec’s invitation to study how literature has represented the privatization and the capitalist and neoliberal organization of space, revealing forms of internal colonization which epitomize a pillar of colonial ideology. Il sentiero luminoso and Su due piedi reconfigure walking as an epistemological, ecocritical and postcolonial practice which allows one to cross paths with people who are marginalized in Italy, especially migrants. Drawing on Michel de Certeau’s and David Pinder’s reflections about space and representation, the article suggests that Il sentiero luminoso and Su due piedi show how the direct experience of a place through walking is germane to understanding the effects of economic exploitation present in human-land relations.
A new revolution in homeownership and living has been sweeping the booming cities of China. This time the main actors on the social stage are not peasants, migrants, or working-class proletariats but ...middle-class professionals and entrepreneurs in search of a private paradise in a society now dominated by consumerism. No longer seeking happiness and fulfillment through collective sacrifice and socialist ideals, they hope to find material comfort and social distinction in newly constructed gated communities. This quest for the good life is profoundly transforming the physical and social landscapes of urban China.
Li Zhang, who is from Kunming, the capital of Yunnan province, turns a keen ethnographic eye on her hometown. She combines her analysis of larger political and social issues with fine-grained details about the profound spatial, cultural, and political effects of the shift in the way Chinese urban residents live their lives and think about themselves.In Search of Paradiseis a deeply informed account of how the rise of private homeownership is reconfiguring urban space, class subjects, gender selfhood, and ways of life in the reform era.
New, seemingly individualistic lifestyles mark a dramatic move away from yearning for a social utopia under Maoist socialism. Yet the privatization of property and urban living have engendered a simultaneous movement of public engagement among homeowners as they confront the encroaching power of the developers. This double movement of privatized living and public sphere activism, Zhang finds, is a distinctive feature of the cultural politics of the middle classes in contemporary China. Theoretically sophisticated and highly accessible, Zhang's account will appeal not only to those interested in China but also to anyone interested in spatial politics, middle-class culture, and postsocialist governing in a globalizing world.
Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern ...Chinese religion, poetry, and visual and material culture.
In the first study of Two Studies on Ming History , Charles O. Hucker presents an account of a military campaign that provides insight into the nature of civil officials' authority, decision-making, ...and relationship with the Ming court. In the spring and summer of 1556, a Chinese renegade named Hsü Hai led an invading group of Japanese and Chinese soldiers on a plundering foray through the northeastern sector of Chekiang province. Opposing them was a military establishment that for years past had been battered by coastal raiders, now under the control of an ambitious and clever official named Hu Tsung-hsien. The campaign was not one of the most consequential in China's military history, even during the Ming dynasty (1368–1644). But it was famous and well reported in its time, and it illustrates some of the unusual ways in which the Chinese of the imperial age coped with the often unusual military problems they faced. In the second part of Two Studies, Hucker presents a translation of K'ai-tu ch'uan-hsin, a popular narrative of a spontaneous demonstration in which literati and commoners alike rose up to defend an austere and incorruptible adherent to Confucian morality who had been doomed to die because of his defiance of the ruthless and heterodox clique that had usurped imperial power. In 1626, Chinese political morality was at one of its lowest ebbs. On the throne at Peking was an incompetent twenty-one-year-old emperor who was much too occupied with puttering at carpentry to pay attention to the government. Into the vacuum stepped Wei Chung-hsien, the favorite of the emperor's governess. Wei used brutal terror to make himself undisputed master of the vast bureaucratic mechanism that administered China. One of Wei's many victims was Chou Shun-ch'ang, a member of the official class who was said to have hated evil as a personal enemy. Chou became critical of Wei, an order was put out for Chou's arrest, and a popular uprising occurred in protest.
Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first ...multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital.
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