Este trabalho foi realizado em duas etapas, com o objetivo de avaliar o efeito dos glutens de milho e trigo, e do farelo de soja, em substituição ao fígado bovino no crescimento de pós-larvas de ...piava (Leporinus obtusidens). Na primeira etapa, foram elaboradas rações com glúten de trigo ou milho, em substituição ao fígado bovino nos níveis de 25, 50 e 100%. O glúten de trigo foi mais eficiente que o de milho como substituto do fígado bovino, sendo que até 40% de substituição proporciona maior tamanho e sobrevivência das pós-larvas. Na segunda etapa, foi avaliada a substituição dos 40% de glúten de trigo por farelo de soja, em níveis crescentes de 25, 50, 75 e 100%. A substituição do glúten de trigo por farelo de soja em até 75%, apresenta os melhores índices para pós-larvas de piava, aos 21 dias de idade.
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: EFG - The European Film Gateway Istituto Luce - Cinecittà - Data provided by Europeana Collections- Il ...documentario ricostruisce le caratteristiche e le vicende della storia recente di Ceneda e Serravalle, centri fusi nel 1886 in unico comune intitolato Vittorio Veneto, in omaggio al re d'Italia, ma ancora ben divisi nei sentimenti dei residenti di valle e di collina.- 1 - Panorama dell'abitato formato da Ceneda e Serravalle- 2 - la pianura della marca trevigiana- 3 - Ceneda, sul versante meridionale- 4 - il castello longobardo adibito a sede vescovile sul colle di San Martino- 5 - le case di Serravalle nella gola montuosa- 6 - manifesto intitolato al re e stampa illustrante la deliberazione di fusione tra i due comuni- 7 - fontane sulla piazza del municipio, centro della nuova cittadina- 8 - la strada di collegamento tra le due località- 9 - stampe antiche- 10 - porta di Serravalle, sovrastata da torre con orologio, strade e passanti sotto il porticato- 11 - archi, balconcini, trifore e finestre goticheggianti scorci architettonici debitori della dominazione veneziana- 12 - stampa raffigurante la piazza centrale di Ceneda- 13 - la cattedrale di San Tiziano vescovo, la loggia del Sansovino- 14 - una fontana con coppia di putti- 15 - facciate di palazzine in cemento armato e del centro commerciale di Ceneda- 16 - l'edificio dell'ex mercato ebraico- 17 - casa montanara di legno a Serravalle- 18 - anziana impaglia una sedia- 19 - un nonno parla al nipotino, seduto sulle sue ginocchia- 20 - donna con gerla vuota sulle spalle- 21 - passaggio di carretti- 22 - fasi del lavoro nei campi e in una cava- 23 - pp di alcuni abitanti della frazione- 24 - uomini giocano a bocce- 25 - un residente di Ceneda, abbigliato in modo distinto e con farfallino, affacciato sulla porta di un oreficeria- 26 - due giovani con la copertina e un disco a 45 giri dei Rokes tra le mani- 27 - quartetto di anziani scherza e fa smorfie- 28 - interviste a passanti sulla residenza a Ceneda e Serravalle (in v.)- 29 - un anziano vestito di nero inscena una sorta di comizio in difesa di Ceneda (in v.)- 30 - esterni del Seminario vescovile e della sede del Corpo d'Armata- 31 - il paese di Serravalle e i tetti del locale complesso industriale- 32 - targa toponomastica di piazza Tiziano Vecellio- 33 - scorci di piazza Flaminio, la facciata e gli interni del Duomo di S. Maria nuova- 34 - dettagli della pala dipinta dal Tiziano dietro all'altare maggiore- 35 - le canne dell'organo costruito da Callido- 36 - un uomo suona sulla doppia tastiera- 37 - la loggia del Sansovino a Ceneda adibito a Museo Storico della battaglia di Vittorio Veneto- 38 - un uomo ed una bambina osservano la bocca di un cannone- 39 - un'anziana fila la maglia seduta accanto ad un'ogiva- 40 - interni del Museo: esposizione di pezzi di artiglieria, fucili, proiettili ed ordigni di varia fattura, fotografie b/n e bandiere originali, maschere antigas e gavette- 41 - il Piave- 42 - un ponte- 43 - un abitante di Ceneda ricorda il bombardamento del 1917 (in v.)- 44 - litografia raffigurante un assalto degli arditi- 45 - la fontana di Salsa nella piazza della cattedrale- 46 - foto b/n dell'ingresso dei soldati in città- 47 - scorci di Serravalle, facciata di un'abitazione in via Roma crivellata da proiettili- 48 - fotografie, disegni e stampe della Grande Guerra- 49 - l'arco della chiusa di Serravalle e le valli sottostanti inq dall'alto- 50 - solo in v. comizio di Mussolini sull'amicizia tra popolo italiano e tedeschi- 51 - fotografie di una visita ufficiale del Duce a Vittorio Veneto, della sfilata dei partigiani della divisione garibaldina "Nino Nannetti" nel giorno della Liberazione e di partigiani in momenti di riposo e in assetto da combattimento, sulle montagne- 52 - dettagli di una foto di un resistente giustiziato dalla Decima- 53 - panoramiche- 54 - il monte Altare, le case di Ceneda e Serravalle, i giardini pubblici e la piazza comune- 55 - famiglie e giovani sulle panchine pubbliche- 56 - monumenti alla Vittoria all'ingresso delle due frazioni- 57 - scorci del paese e del paesaggio circostante- 17 - wooden mountain house in Serravalle- 16 - the building of the former Jewish market- 14 - a fountain with a pair of putts- 13 - the Cathedral of Saint Titian Bishop, the lodge of Sansovino- 45 - the salsa fountain in the Cathedral square- 34 - details of the altarpiece painted by the Titian behind the high altar- 33 - glimpses of Piazza Flaminio, the façade and the interior of the Cathedral of St.- 44 - lithography depicting an assault of the darts- 6 - manifesto entitled to the King and illustrious press the deliberation of merger between the two municipalities- 43 - a Ceneda inhabitant recalls the bombing of 1917 (in v.)- 12 - press depicting the central square of Ceneda- 50 - only in v. Mussolini's meeting on the friendship between Italian and German people- 29 - an old man dressed in black staged a kind of rally in Ceneda's defense (in v.)- 11 - Gothic arches, balconies, triphorae and windows architectural glimpses indebted to Venetian domination- 56 - monuments to victory at the entrance of the two hamlets- 38 - a man and a little girl observe the mouth of a cannon- 19 - a grandfather speaks to his grandchild, sitting on his knees- 4 - the Lombard castle used as a Episcopal see on the hill of San Martino- 40 - interior of the museum: exhibition of artillery pieces, rifles, bullets and ordnance of various bills, b / w photographs and original flags, gas masks and gavettes.- 25 - a resident of Ceneda, dazzled distinctly and with butterfly, overlooking the door of a goldsmithery- 15 - facades of reinforced concrete buildings and the Ceneda shopping center- 49 - the arch of the Serravalle lock and the valleys below inq from above- 28 - interviews with passers-by on the residence in Ceneda and Serravalle (in v.)- 47 - Serravalle's views, facade of a house in via Roma riddled by bullets- 32 - toponymy plaque of Tiziano Vecellio square- 52 - details of a photo of a respondent executed by the tithe.- 26 - two young men with cover and a 45 rpm disk of the Rokes in their hands- 7 - fountains on the town hall square, center of the new town- 39 - an old woman ranks the jersey sitting next to an ogiva- 31 - the village of Serravalle and the roofs of the local industrial complex- 54 - the altar mountain, the houses of Ceneda and Serravalle, the public gardens and the common square- 48 - photographs, drawings and prints of the great war- 10 - gate of Serravalle, overhung by tower with clock, streets and passers-by under the arcade- 1 - panorama of the inhabited area formed by Ceneda and Serravalle- 37 - the Sansovino lodge in Ceneda used as the historical Museum of the battle of Vittorio Veneto- 51 - photographs of an official visit of the Duce to Vittorio Veneto, of the parade of partisans of the Garibaldine division\ "Nino Nannetti\" on the day of liberation and partisans at times of rest and in combat set-up, on the mountains- 9 - old prints- 8 - the connecting road between the two locations- 30 - exterior of the Bishop's Seminary and the seat of the army Corps- 57 - glimpses of the country and the surrounding landscape- 55 - families and young people on public benches- 53 - panoramic- 5 - the houses of Serravalle in the mountainous gorge- 46 - b / w photo of the soldiers' entrance to the city- 42 - a bridge- 41 - the Piave- 36 - a man plays on the double keyboard- 35 - the canes of the organ built by Callido- 3 - Ceneda, on the southern slope- 27 - quartet of elders jokes and makes grimaces- 24 - men play bowls- 23 - pp of some inhabitants of the hamlet- 22 - phases of work in the fields and in a quarry- 21 - passage of carts- 20 - woman with empty gerla on her shoulders- 2 - the plain of the Treviso brand- The documentary reconstructs the characteristics and events of the recent history of Ceneda and Serravalle, centers merged in 1886 as the only municipality entitled Vittorio Veneto, in homage to the King of Italy, but still well divided into the feelings of the residents of Valle and Collina- 18 - old woman packs a chair- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. 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Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: Istituto Luce - Cinecittà EFG - The European Film Gateway - Data provided by Europeana Collections- 58 - ...Giacomo Rondinella, in the part of the sweetheart, sings in front of the poster advertising of the cafe chantant with the portrait of the\ "new queen\"- 55 - details of period photographs by Pasquariello- 74 - Murolo, playing guitar, sings the last verses of 'O zampugnaro' nnammurato- 27 - a group of Italian patriots escapes, running, from a cloud of smoke- 32 - we giant on the river armed by sulking from the courage of despair... caption- 53 - a man comes out of the shop of a barber showing a photographic portrait of Gennaro Pasquariello- 3 - the musical and folkloric show set in a posing theater- 81 - Roberto Murolo performs in a studio, singing\ "Napule CA leaves\"- Fourth episode of the series dedicated to the history of the Neapolitan song, with historical images of repertoire and sequences taken from films- 54 - series of fortographic portraits of the famous Neapolitan singer; the following caption appears in overpressure referring to the musical commentary:\ "fountain in the shadow / E.A. Mario 1912\"; therefore, at the base of the images the following phrase:\ "this song is performed in an engraving of the time, by Gennaro Pasquariello one of the most famous interpreters of the song\ netana"- 83 - a nineteenth-century painting that represents a night party scene with fireworks in the background of the Gulf of Naples- 16 - women and children are loaded on military trucks- 68 - the illustrated frontispiece of\ "'o zampugnaro' nnamiurato. verses and music by Armando Gill (M. head) \"- 7 - Italian infantrymen on the march; appears, in overpressure, the caption\ "the song of the Piave / E. Mario 1918\" which refers to the musical commentary on the images- 45 - an audience of war wounded listen to the romantic song with its refrain\ "Ohi Vita, Ohi Vita mia\"- 39 - Italian infantrymen run for rugged, stony terrain- 57 - images taken from the film\ "Neapolitan carousel\" with Sophia Loren, as a dancer of the cafe chantant in\ "Belle epoque\," and Giacomo Rondinella singing\ "Reginella\"- 59 - a curtain opens on the stage of a theater where he performs, accompanied by a pianist, Bruno Venturini singing\ "'a mug and café\" by\ "Capaldo-Fassone, 1918\"- 25 - a patriot is executed by a platoon of Austro-German soldiers on the terrace of a castle- 67 - an old photo-portrait of a composer, probably A. Gill- 18 - a crowd of people pours through the streets of a country hit by the bombing- 24 - crowd of people overwhelms a woman - the protagonist - charged with luggage along a street- 30 - repertoire images\ "light\" taken from\ "Gloria\":- 82 - an nineteenth-century painting by a Neapolitan Vedutist- 15 - a group of women, inhabitants of a country destroyed by war, runs through the rubble- 62 - the applause of the audience at the end of the execution- 78 - old photo-portrait of the now young now old singer- 50 - Achille Togliani, as a tramp with a viper in his hand, sings\ "viper / E.A. Mario, 1919\"- 1 - images taken from a color film magazine of the 50s, probably\ "Neapolitan carousel\":- 52 - Achille Togliani sings\ "Vipera\"; a man, sitting next to him, holds up a serpentel- 60 - the Neapolitan singer sings in a theater in a city in the far East- 14 - images taken from the film\ "the legend of the Piave\":- 64 - images taken from the film\ "my son professor\" with Aldo Fabrizi:- 9 - a group of Italian soldiers cross a boat jumper and run along a path- 75 - in the background of an ancient view of Naples appears the title\ "I, 'na guitar and' moon\"- 38 - the slopes of a mountain beaten by artillery fire- 2 - dancers in Neapolitan folkloric costumes perform, singing, playing and dancing, against the background of a scenography that reproduces a popular neighborhood of Naples.- 72 - the scene, behind the singer's shoulders, changes: it goes from a drawing, with the face of a lady of the Belle epoque, to an nineteenth-century print with a woman in folkloric costume.- 37 - and in that atmosphere of death and glory the infantrymen advanced preparing the leap that was to bring them four months later to victory caption- 40 - a group of Italian gunners struggling with a machine gun- 17 - go away of women, soldiers and trucks in the streets of a country- 65 - the old janitor, played by Aldo Fabrizi, descends the staircase of the Lycée Visconti; the caption\ "appears in overpressure as it rained / Gill 1918\" which refers to the musical commentary- 80 - Mina sings\ "Napule ca leaves\"- 8 - Italian troops marching to the front- 79 - repertoire images\ "Rai\":- 73 - Murolo during his performance- 71 - Murolo's performance in a studio- 70 - close-up of the singer- 61 - some moments of the show- 6 - a flag, lacera, waving- 44 - images taken from a color film, probably\ "Neapolitan carousel\": Anna Magnani, accompanied by a band of soldiers including, as a soldier, the actor Massimo Ranieri, sings on the stage of a small theater\ "'O surdato' nnammurate\" by Cannio-Califano- 56 - a caricature of the singer- 49 - images taken from a black and white film:- 48 - photograph by E.A. Mario.- 43 - a stretch of the Piave- 42 - a battlefield- 41 - Italian soldiers on the march- 36 - gunfire- 35 - the advance of a group of Italian soldiers- 34 - Italian infantrymen in action- 33 - Italian soldiers jump out of a trench- 31 - the flow of the Piave River- 29 - Italian soldiers in action against the enemy- 28 - Italian infantrymen on the attack- 26 - explosions- 23 - images taken from the aforementioned film:- 22 - a plane in flight- 21 - trees invested by a flood- 20 - the waters of the Piave- 19 - repertoire images\ "light\":- 13 - an explosion on a battlefield- 12 - the attack of Italian soldiers- 11 - Italian gunners in the trenches- 10 - the Piave River in flood- 77 - the following inscription flows under the images:\ "we are listening to the mythical voice of Elvira Donnarumma, an authentic legend of the Neapolitan song.\"- 47 - covers named after the\ "legend of the Piave\"- 5 - the ruins of a house; on what remains of the walls of the house, we read a\ "all heroes! or the Piave or all crouched!\"- 76 - series of photographic portraits by Elvira Donnarumma; the caption\ "I 'na guitar e' a Luna / E.A. Mario 1913\" appears in overpressure- 51 - an actress, in thirties dresses, with a fan of feathers and mouthpiece in her hand, plays the part of a bewitcher, dancing sensually in an interior- 46 - Magnani, at the end of the singing performance, cries- 66 - the janitor meets on the stairs one of the pupils of the high school who hands him a box and, therefore, reaches him at the base of the stairs- 63 - the illustrated title page of\ "how it was raining!... verses and music by A. Gill (M. head) \"- 69 - Roberto Murolo plays guitar and sings' O zampugnaro 'nnammurated in the background of a gigantic graphic image of a zampognaro- 4 - images of repertoire\ "light\" concerning the first world war, taken from the documentary editor\ "Gloria\":- Quarta puntata della serie dedicata alla storia della canzone napoletana, con immagini storiche di repertorio e sequenze tratte da film.- 1 - Immagini tratte da un film-rivista a colori degli anni '50, probabilmente "Carosello napoletano":- 2 - ballerini in costumi folcloristici napoletani si esibiscono, cantando, suonando e danzando, sullo sfondo di una scenografia che riproduce un quartiere popolare di Napoli- 3 - lo spettacolo musicale e folcloristico ambientato in un teatro di posa- 4 - immagini di repertorio "Luce" riguardanti la prima guerra mondiale, tratte dal documenatario "Gloria":- 5 - le rovine di una casa; su quanto resta delle mura dell'abitazione, si legge una scritta "Tutti eroi! O il Piave o tutti accoppati!"- 6 - una bandiera, lacera, sventola- 7 - fanti italiani in marcia; compare, in sovrimpressione, la didascalia "La canzone del Piave / E.A. Mario 1918" che si riferisce al commento musicale alle immagini- 8 - truppe italiane in marcia verso il fronte- 9 - un gruppo di soldati italiani attraversa un ponticello di barche e corre lungo un sentiero- 10 - il fiume Piave in piena- 11 - artiglieri italiani in trincea- 12 - l'attacco di soldati italiani- 13 - un'esplosione su un campo di battaglia- 14 - immagini tratte dal film "La leggenda del Piave":- 15 - un gruppo di donne, abitanti di una paese distrutto dalla guerra, corre tra le macerie- 16 - donne e bambini vengono caricati su autocarri militari- 17 - via vai di donne, soldati e autocarri per le vie di un paese- 18 - una folla di gente si riversa per le strade di un paese colpito dai bombardamenti- 19 - immagini di repertorio "Luce":- 20 - le acque del Piave- 21 - alberi investiti da una piena- 22 - un aereo in volo- 23 - immagini tratte dal suddetto film:- 24 - folla di gente travolge una donna - la protagonista - carica di bagagli lungo una strada- 25 - un patriota viene giustiziato da un plotone di soldati austro-tedeschi sulla terrazza di un castello- 26 - esplosioni- 27 - un gruppo di patrioti italiani fuoriesce, correndo, da una nube di fumo- 28 - fanti italiani all'attacco- 29 - soldati italiani in azione contro il nemico- 30 - immagini di repertorio "Luce" tratte da "Gloria":- 31 - lo scorrere del fiume Piave- 32 - Giungemmo sul fiume armati soltando dal coraggio della disperazione... didascalia- 33 - soldati italiani saltano fuori da una trincea- 34 - fanti italiani in azione- 35 - l'avanzata di un gruppo di soldati italiani- 36 - spari di cannone- 37 - Ed in quella atmosfera di morte e di gloria i fanti avanzarono preparando il balzo che doveva portarli quattro mesi dopo alla vittoria didascalia- 38 - le pendici di un monte battute dal fuoco dell'artiglieria- 39 - fanti italiani corrono per un terreno accidentato e sassoso- 40 - un gruppo di artiglieri italiani alle prese con una mitragliatrice- 41 - soldati italiani in marc
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: EFG - The European Film Gateway Istituto Luce - Cinecittà - Data provided by Europeana Collections- 130 - ...glimpses of private houses and palaces still with signs of war, holes on walls and destruction of houses- 76 - a battalion of Alpini lined up at attention, behind them the passage of the band and young people of the place- 48 - - the displacement of men and means on the road that runs alongside the Piave River- 153 - the tomb of a simple fante with its gavette and its hat- 55 - car number 7 with its occupants including the alfiere of the association- 136 - - soldiers' posts with machine gun firing- 108 - - hidden inside the trench, soldiers are stationary in their places, whoever walks does so by being bent- 8 - - small trains loaded with soldiers and vehicles travel narrow tunnels under the snow- 133 - the visible remains of the bloody passage of war: completely destroyed houses- 82 - the Duke of Bergamo entertains some young fascist representations- 96 - between the cathedral and the palace some large statues and a Roman column with above the statue of an angel- 120 - on the banks of the river the small and heroic cemetery of Plava- 17 - view of the place of refreshment, below you can see nothing of the panorama because everything is immersed in fog- 161 - the view of the port and the city by Saint righteous- 139 - - a river of men at the assault on the cry of Savoy!- 150 - a stone remembers who is buried in that place and its two hats- 85 - the procession of the veterans gathers in the square in front of the town hall building- 159 - the veterans arrived in Trieste and the town welcomes with silent composure the former fighters- 70 - boys and families stroll through the big square- 145 - the speech of a young multi-decorated priest to all present- 5 - cars stop making the rugged climb up Mt Grappa, a road leads to the top.- 106 - - the comrades help each other: some bring light artillery weapons into the posts, cannons brought to pieces- 91 - the exit from the town hall building with the civil, military and fascist authorities descending the bleachers- 94 - the building with the mullioned and solemn arches- 148 - the tomb of general chinotto with an eagle with its wings extended- 110 - - a large cannon is loaded, settled in the shot, the mouth turned upwards, and then the fire.- 98 - Caporetto- 95 - views of the square from different visuals- 92 - Cividale del Friuli- 90 - third part start- 31 - - soldiers hide among the brambles of the hillock- 35 - the procession of cars of the veterans crosses the streets of the town- 38 - the tables of a bar under the arches of the Palace- 149 - the tomb of general Tommano Monti: a stone coffin with the helmet of the general- 87 - the infantrymen, with rifles and blankets on the shoulders, in the position of the rest to listen to the commemorative speech- 124 - - behind the wall the mutilated body of a dead soldier- 80 - the bishop of Ceneda celebrates mass at the camp- 4 - among the officers was general Boriani, general of the army- 50 - - the infantrymen cycling on the streets near the Piave, in the opposite direction a family moves with its things gathered on a cart- 164 - people within the walls of the castle, sunset by the sea- 16 - the veterans of the great war gathered around the statue of the vigilante homeland in honor of the fallen on Mount Grappa- 162 - fishermen's boats docked in the big canal- 77 - the ex-combatants lined up in front of the Alpines with their flags and labars- 20 - - a transport cart completely destroyed- 33 - - a woman on her knees system the land of her husband's grave- 104 - - soldiers walk fast on a bridled jumper in the rocks of the karst- 12 - the gathering of ex-combatants on Mount Grappa takes place ten years away in the fog- 146 - a Roman wolf, a Venetian lion, bombs, pieces of weapons, cannons and more enrich the memory of this singular historical cemetery- 51 - the same road is traveled after so many years and, at war over, by the veterans of the first world war by car- 64 - - Italian Navy unit in navigation, are very fast motorboats- 132 - the pilgrimage of the veterans comes to the heights that saw the coming soldiers fall from all over Italy- 49 - - the carts pulled by the mules let the trucks pass- 60 - overview of the Piave River with everyday life: boatmen using longline-shaped and elongated boats, a filly with her grazing puppy, a farmer giving information.- 27 - - images of a trench with two infantrymen giving themselves the change of the lookout- 57 - a pretty red brick bridge makes it possible to pass the small course of the Sile River, some boats docked under the bridge- 99 - the coaches and cars, which carry the veterans, parked and empty- 3 - some people gather behind a flag: they are multi-decorated, ex-combatants, army officers and black shirts.- 11 - - the view of the mountain surrounded by fog and clouds- 47 - - the cold of winter, the high snow and the soldiers of the great war sitting next to each other in the trench- 30 - - some infantrymen run on a slope carrying heavy objects- 114 - - red cross nurses carry a wounded man in a stretcher- 123 - - soldiers run carrying weapons and ammunition- 53 - the procession of cars of ex-combatants travels through the streets of the town- 45 - cars are stopped near Cormuda to pay homage to the fallen, a small cemetery with graves and crosses in the green.- 71 - people walking among the shady trees of the public garden rich in white statues- 137 - - a portamessaggi receives the ticket and by bicycle runs to deliver it to the recipient- 24 - - the fire of a cannon from a high station- 79 - the duke wears the pitchers' uniform, next to him fascist hierarchs and other officers- 111 - - a series of cannon shots hitting the walls of the mountains- 73 - the veterans gathered in the square near a fountain with whores- 156 - the monument to the fallen in the center of the cemetery- 88 - end of second part at 13 minutes and 12 seconds- 65 - - warships sailing, some sailors resumed on deck of deck by ship's control cabin.- 141 - - some infantrymen return to the back by carrying a wounded companion on an improvised lector made with a blanket and a long wooden trunk, the mutilated body of the dead soldier is still in the same place.- 102 - at the Falde del Montenero the Conca di Caporetto who lived terrible hours for the history of Italian soldiers- 23 - - a long line of soldiers with rifles and blankets in their shoulder, three Bersaglieri clean their rifles by sitting on a massif- 151 - the Bersagliere who is buried in the grave has with him the bicycle and his feathered hat.- 86 - the speech of Amilcare Rossi, gold medal in the great war, in the presence of the Duke of Bergamo- 44 - cars pass through a small village paved for celebration- 97 - the participants of the pilgrimage all come together towards the goal and make the fascist salute- 25 - - soldiers prepare the cannon, are hidden behind a wall of sandbags, at the outbreak of the cannon they retract on one side and cover their ears.- 105 - - the commander who precedes his soldiers is a man with a beard and a robed mustache, smokes his pipe and carries his handbag with the scope.- 135 - - the hidden infantrymen behind mighty arches and bombing fire.- 128 - a cart for the transport of agricultural products stationed at the side of a road that has a fountain at its center- 28 - images return to the scenes of the Montello military cemetery- 59 - a fishing boat with the whole family on board- 2 - a row of cars parked on the sides of a large square- 129 - the baroque cathedral of Saint Ignatius in the square- 116 - - the assaults on the white weapon behind the incitement of the commanders- 160 - the procession of pilgrims through the streets of the city- 32 - - women dressed in black among the crosses where their loved ones are buried, a mother together with her little girl- 112 - - a break in the exhausting march of the infantrymen, someone already resumes with the mules, the others smoke a cigarette- 117 - - the injured comrade carried in his arms by two commiliton friends- 155 - an underwater torpedo, a contrarian gun- 81 - the blessing of the flags, the deployment of the Alpini dampens the large crowd of ex-combatants- 43 - the visit to the sacrarium that welcomes the remains of Antonio Canova- 36 - view from the course of the Palace of the Podestà with the tower of the municipality- 7 - - memories go to when climbing was done with boots, uniforms for the winter cold and rifles.- 152 - the sentence written on the remains of a cannon wheel: where more the sol sparkles- 119 - pictures of the river route in the countryside- 40 - the veterans greet towards the goal, the camera operator is on a car that exceeds the procession- 37 - the veterans in the square in front of the Palace of the Podestà- 131 - the heights of Doberdò- 13 - ice sheets on the gravel- 127 - view of the castle overlooking the city- 125 - Gorizia- 122 - repertoire images:- 121 - the visit of the veterans to the graves of the fallen- 118 - the Isonzo River- 115 - - some abandoned trenches- 103 - repertoire images:- 100 - the gang opens the parade of ex-combatants- 1 - Bassano del Grappa- 107 - - overview from bottom to top of hidden posts in high mountains- 93 - a square with a particular conformation, on two levels: in the center the church with an equestrian statue in front, degrades with the wide staircases in the lower part- 14 - associates move to the refreshment station to receive their lunch basket- 18 - the participants of the pilgrimage meet in Montello, people search in the graves of the cemetery names dear to their memory- 78 - the arrival of the Duke of Bergamo, Adalberto di Savoia, representing the king- 109 - - a moment's break in the trench with soldiers sitting on the sides of the rocks smoking- 9 - - view of the panorama of the surrounding countryside Bass
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: EFG - The European Film Gateway Istituto Luce - Cinecittà - Data provided by Europeana Collections- 1 - studio ...del compositore Mario pieno di libri e spartit- 2 - la nipotina sfoglia una rivista d'epoca- 3 - la figlia, con il maestro Mario accanto, esegue al pianoforte la canzone "XXIV maggio"- 4 - il maestro Mario canta la canzone il XXIV maggio- 5 - la nipotina sfoglia la Domenica del Corriere del 1915- 6 - illustrazioni della Grande Guerra tratte dalla Domenica del Corriere- 7 - il Piave- 8 - immagini di repertorio dei Mas e dell'affondamento della nave Viribus Unitis- 9 - il monumento ai caduti a Redupuglia- 10 - cambio della guardia al vittoriano- 3 - the daughter, with master Mario next door, performs at the piano the song\ "XXIV Maggio\"- 4 - master Mario sings the song on may XXIV- 1 - study by composer Mario full of books and spartits- 5 - the granddaughter leafs through the Sunday of the 1915 courier- 9 - the monument to the fallen in Redupuglia- 7 - the Piave- 2 - the granddaughter browses a vintage magazine- 10 - change of guard to Victorian- 8 - repertoire images of the MAS and the sinking of the Viribus UNITIS ship- 6 - illustrations of the great war taken from Corriere Sunday- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: Istituto Luce - Cinecittà EFG - The European Film Gateway - Data provided by Europeana Collections- 1 - the ...panorama along the railway line between Padua and Calalzo seen from the train on the move- 4 - the hydroelectric power plant under construction at the foot of the Marmolada glacier- 8 - workers work on the overhang- 7 - workers at work on the dam- 6 - the embankment of the guide- 5 - aspects of the power plant- 3 - the train crosses some galleries- 2 - the Piave- 1 - il panorama lungo la linea ferroviaria fra Padova e Calalzo visto dal treno in movimento- 2 - il Piave- 3 - il treno attraversa alcune gallerie- 4 - la centrale idroelettrica in costruzione ai piedi del ghiacciaio della Marmolada- 5 - aspetti della centrale- 6 - l'argine della guida- 7 - operai al lavoro sulla diga- 8 - operai lavorano sullo strapiombo- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: Istituto Luce - Cinecittà EFG - The European Film Gateway - Data provided by Europeana Collections- 1 - uomini ...sulla piazza del paese- 2 - preparativi per la festa del santo protettore, prima della partenza- 3 - uomini costruiscono le case- 4 - consegna di una casa, alla cui costruzione ha collaborato l'intero paese, ad un concittadino- 5 - partenza per l'estero degli uomini giovani- 6 - le moglie ed i figli salutano i partenti- 4 - delivery of a house, to whose construction the entire country has collaborated, to a fellow citizen- 2 - preparations for the feast of the patron saint, before departure- 6 - the wife and children greet the departed- 5 - departure for young men's foreign countries- 3 - men build houses- 1 - men on the village square- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: Istituto Luce - Cinecittà EFG - The European Film Gateway - Data provided by Europeana Collections- 13 - ...Larderello's boraciferous showerheads are directly fed into the turbines that generate about 2 billion kWatt per hour;- 21 - overview of the Alps on the borders with France.- 12 - hydroelectric power station at the foot of Gran Sasso;- 7 - artificial lake born from the barrage of the Mucone River;- The construction of dams and basins throughout the peninsula for the strengthening of the national electricity grid.- 9 - turbo-alternator groups that can make up for the needs of almost all Meridion industries;- 20 - in Valtournenche dam and artificial lake at the foot of the Matterhorn;- 1 - use of electricity in everyday life;- 6 - in Sila, the artificial lakes Ampollino and Arvo were created, which feed powerful power plants;- 11 - Lake Campotosto, Abruzzo, with the Vomano facilities is a large basin of electricity;- 15 - aerial view of the city of Genoa and its thermoelectric power plant located in the vicinity of the port;- 8 - exterior of the thermoelectric power plant in Vigliena near Naples;- 19 - overview of the mountains around Molveno with the lake fed by the Adamello glaciers,- 5 - overview of the Strait of Messina;- 4 - hydroelectric basins of the Greeks plain;- 2 - blast furnaces in activity;- 18 - dam fed by the walnut River;- 17 - dams on the Piave and the Soverzene power station;- 16 - power plants in Marghera;- 10 - creation of a dam in Melfa;- 14 - overview of the Val d'Iserchio with the Vaglia artificial lake;- 3 - aerial shot of BauMugeris electric dam, Sardinia, powered by Flumendosa;- La costruzione di dighe e bacini in tutta la Penisola per il potenziamento della rete elettrica nazionale.- 1 - utilizzo dell'elettricità nella quotidianità;- 2 - altiforni in attività;- 3 - ripresa aerea della diga elettrica di BauMugeris, in Sardegna, alimentata dal Flumendosa;- 4 - bacini idroelettrici della piana dei Greci;- 5 - panoramica dello stretto di Messina;- 6 - nella Sila sono stati creati i laghi artificiali Ampollino e Arvo che alimentano potenti centrali;- 7 - lago artificiale nato dallo sbarramento del fiume Mucone;- 8 - esterni della centrale termoelettrica di Vigliena vicino Napoli;- 9 - gruppi turboalternatori che possono sopperire al fabbisogno di quasi tutte le industrie del Meridione;- 10 - creazione di una diga a Melfa;- 11 - lago di Campotosto, in Abruzzo, con gli impianti del Vomano è un grosso bacino di elettricità;- 12 - centrale idroelettrica ai piedi del Gran Sasso;- 13 - i soffioni boraciferi di Larderello vengono direttamente immessi nelle turbine che generano circa 2 miliardi di Kwatt l'ora;- 14 - panoramica della Val d'Iserchio con il lago artificiale Vaglia;- 15 - veduta aerea della città di Genova e della sua centrale termoelettrica situata nelle vicinanze del porto;- 16 - centrali elettriche a Marghera;- 17 - dighe sul Piave e la centrale di Soverzene;- 18 - diga alimentata dal fiume Noce;- 19 - panoramica dei monti intorno a Molveno con il lago alimentato dai ghiacciai dell'Adamello,- 20 - in Valtournenche diga e lago artificiale ai piedi del Cervino;- 21 - panoramica delle Alpi ai confini con la Francia.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: Istituto Luce - Cinecittà EFG - The European Film Gateway - Data provided by Europeana Collections- 7 - ...arrival at Trieste station- 6 - landscape from the train: the Gulf of Trieste- 5 - acclaimed crowd at Monfalcone station- 4 - workers walk on the iron bridge- 1 - train with flags on the locomotive starts from the station- Corbellini accompanied by other authorities walks on the tracks- 3 - crowd and band welcome the train entrance to Ceggia station- 2 - train on the iron bridge passing the river- Corbellini by train- 1 - treno con bandiere sulla locomotiva parte dalla stazione- Corbellini accompagnato da altre autorità cammina sui binari- 2 - treno sul ponte di ferro che oltrepassa il fiume- 3 - folla e banda accolgono l'entrata del treno alla stazione di Ceggia- 4 - operai camminano sul ponte di ferro- 5 - folla acclama alla stazione di Monfalcone- Corbellini in treno- 6 - paesaggio dal treno: il golfo di Trieste- 7 - arrivo alla stazione di Trieste- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: EFG - The European Film Gateway Istituto Luce - Cinecittà - Data provided by Europeana Collections- 127 - to ...overcome an uphill and very snowy stretch the alpine people bond in the course- 101 - repeated scenes of march between the mountains, the passage of the alpine and a mountain trunk ridge- 40 - again the cinematic eye that opens and dissolves on the high spires and immersed in the clouds of the mountains including the beautiful Matterhorn- 25 - women beat their shoes at the washhouse, two men in the sun- 118 - the new message is remarked, handshake and fascist greeting, away for another goal- 34 - the journey continues: the Alpie Graie and Pennines kissed by the sun- 88 - with difficulty men continue the massacring march- 9 - shoulder visa: the backpack contains the rifle that is inside a cloth bag, a blanket rolled out of the backpack.- 140 - sideways walking is very strenuous in this case, because the slope is steep- 126 - slipping on the slope, the skis sink into the high snow, an alpine tries to continue the momentum in straps- 121 - the cap turned into a balaclava to cover the face well from the lashings of the icy snow- 89 - the landscape is always loaded with snow and fir trees- 81 - start third part at 18 minutes and 22 seconds- 80 - 8 seconds black- 134 - passed the mountain we continue sliding on the opposite side, the arrival at another destination for a new delivery of orders- 79 - end of second part at 18 minutes and 14 seconds- 78 - you drink it from an iron cup in common- 50 - the laughing villages of the valleys of South Tyrol- 49 - start second part at 8 minutes and 50 seconds- 48 - 8 seconds black- 47 - end first part at 8 minutes and 41 seconds- 102 - the patrol arrives in front of the monument and the tombstone in the memory of the general cantor who died there- 28 - an alpine man walking through the streets of the village and an elderly lady, petite and curved under the weight of the copper basin with which she transports water- 32 - panoramas on the surrounding mountains- 109 - the stage is also reached in the middle of the night- 30 - Panni Stesi and a boy on skis- 129 - four alpines go up the mountain with skis at their feet, one step behind the other sideways, the fifth remained behind- 24 - a small village hidden in a mountain valley- 139 - other meetings between comrades- 125 - marching scenes- 93 - an alpine man enters a cave covered with ice, long stalagmites descend to the ground, passing breaks one with his backpack- 84 - the various patrols arrive at different destinations, receive precise orders and start again always fondly greeted by the comrades- 37 - in so much expanse of snow and ice the only sign of life are the shelters- 18 - a wooden bridge, the stream flowing between snow-covered pebbles- 73 - the arrival of the patrol where the officers are, great exultation of the latter- 87 - they greet each other by shaking hands, one is about to fall and the handshake of an elderly officer, with scarf and cigarette in his mouth, turns into a support- 3 - close-ups of the faces of the very smiling alpine youth- 44 - the alpine people who left from the east began their great march from the Tolmino, overview of the mountains of Cadore- 17 - a house in the mountains with the stable and woodshed seen from afar- 33 - the eye of the camera opens on the summit of a mountain and descends slowly to the valley to dissolve again- 123 - the first comer rubs his hands for the cold- 65 - supply mountaineers prepare a dwelling for ski mountaineers who are carrying out the exercise- 55 - helping himself with rackets and with forced pace the patrol arrives at the shelter: a stone and wooden house with a balcony with a railing intersected in the very particular wood.- 67 - on the night of January 10, 1929 a patrol departs, the alpine men wear skis and leave, the figures of the men through in the light of a fire.- 75 - various moments of the patrol march: the passage under a gallery with the icy exit, the crossing of a trough, the overcoming of a ridge- 76 - the pace of travel of the alpine people is rather sustained- 104 - during a skiing one of the alpine falls, the first to rescue him is the one behind him, then the others go back to help.- 19 - a woman carries the gerla on her shoulders and walks on the road- 137 - fatigue plays its part and the alpine people when they have to overcome more impervious traits often fall, the last one surpasses the penultimate in the march- 51 - the villages have less the appearance of restricted mountain communities, the houses are buildings of several floors and the streets are more lived.- 96 - the officer leans on a wooden stick, almost gives in to him, but manages to keep himself standing.- 53 - clouds flowing or immobile on snow-covered peaks- 83 - the group stops to be resumed, in the distance you can see an alpine man who, aware of being framed, escapes away, but falls making his presence at the goal even more evident- 136 - soldiers overcome a salty bump with joined skis, two of them remain standing, the third falls and slips without grip on the snow, the fourth falls, but immediately rises again.- 15 - two people pass through a rudimentary wooden jumper covered with soft snow, the stream at another point- 52 - the Retic Alps have high, sharp peaks, a perdifiate view of so many sharp peaks- 99 - the chief patrol shakes hands with officers waiting for the patrol- 64 - a group of alpine people sitting in the sun, converse and smoke- 66 - the arrival of the marchers' patrol at the shelter, the comrades greet them with affection- 39 - the icy wind of the mountains, the snow rises and flies- 12 - overview of the maritime Alps, snowy and angular ridges- 100 - delivery of other messages and away to another destination- 98 - the team wearing the white combat seal by slipping exceeds an opening in the middle of a wooden fence, who with confidence, who with uncertainty, but everyone manages to pass quickly- 8 - close-up of a beautiful young man with the characteristic alpine hat- 54 - alpine skiers, one behind the other, are the patrols that bring supplies to the shelters that will house the garrisons in exercise- 35 - a high mountain refuge: a low stone construction- 2 - five alpine men with wool trousers, boots, jackets, feather hats, backpacks and foot skis- 68 - by daylight the skiing patrol arrives downstream.- 141 - from how they are taken they seem almost suspended in the air- 138 - the Alpini continue skiing with a very open snowplow to slow the race- 11 - a line shows the march for those who left from the east to Chiavenna, for those who moved from the west Domodossola- 86 - the Alpini take off their skis, talk to officers of the zone command, then received other orders resume the trip- 94 - the soldier arrives until a spring of ice water, but does not last and abbeys- 29 - each dwelling has in front of the entrance door a wooden ballroom where people stop to take some of the pale winter sun- 5 - another patrol of alpine skiers: older than age, in the uniform several trousers that are at the zuava, hats, wool caps, and a pair of spare skis in the shoulder- 108 - close-up of a little girl who makes the fascist salute, wears her suit and skis- 45 - two alpine men break with ski rackets a frosty stalagtiti waterfall- 69 - the snow is high and fluffy, the alpine people ski one behind the other following the track of the first one- 106 - the passage of the patrol in front of tourists in a mountain hangout- 103 - more meetings of alpine comrades and again- 46 - the town of Cortina d'Ampezzo resumed from the cable car with the beautiful mountains of the Dolomites behind it- 58 - they find it, but it's completely covered with snow, they start shoveling.- 20 - a man, on his shoulder skis, walks on a narrow mountain road near the rocky ridge- 71 - for cold and immobility the alpine people fight on their shoulders and arms- 56 - the wind blows strong, the snow rises in large clouds- 85 - the team has crossed mountains, valleys and finally comes to an inhabited center- 110 - two torches illuminate the path of a team of Alpini- 4 - on the backpacks they carry also have racquets to overcome the high snowy areas, the carbine and several meters of rope.- 31 - the great winter cold does not allow a city life, people rush to cross the snow-covered road to quickly reach another dwelling.- 132 - the rope was tied to a boulder and held still also by two ski racket- 16 - the mountains with the fir trees that disappear under the snowpack- 61 - two alpine people walk on the cove with two mules loaded with supplies- 122 - the alpine people are forced to overcome a rock wall by descending with the rope one at a time- 59 - three alpine people return to the shelter all covered and with racquets at the foot, give up the march for a snowstorm- 43 - among the long trunks of the fir trees the small chapels that give courage to the lost wayfarers for short moments of prayer- 82 - mountaineers continue their march to the Alps from the west to the east- 13 - the Cozie with Monviso, whose peak is seen little through the haze- 128 - a very distant image shows the alpine people, who look like small fleas, climb the steep slope- 38 - six ski mountaineers seen in the distance in front of the shelter and with a dog- 133 - one of the alpines attaches to the rope with his left arm and climbs, while with his right he takes the skis over his shoulder.- 70 - laboriously they go up a steep mountainous slope, at the top there is another patrol that awaits them.- 21 - humble upland houses made of wood and rock, the sloping roofs covered by a thick layer of snow.- 120 - the snow rises and prevents the view, laboriously the alpine people continue the grueling march- 91 - when you arrive on a descent the faces are more serene, you relax, the fast passage under a very leafy tree, to pass they must lower themselves-
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