This volume sets Marcel Proust's masterwork, Á la recherche du temps perdu (In Search of Lost Time, 1913–27), in its cultural and socio-historical contexts. Essays by the leading scholars in the ...field attend to Proust's biography, his huge correspondence, and the genesis and protracted evolution of his masterpiece. Light is cast on Proust's relation to thinkers and artists of his time, and to those of the great French and European traditions of which he is now so centrally a part. There is vivid exploration of Proust's reading; his attitudes towards contemporary social and political issues; his relation to journalism, religion, sexuality, science and travel, and how these figure in the Recherche. The volume closes with a comprehensive survey of Proust's critical reception, from reviews during his lifetime to the present day, including assessments of Proust in translation and the broader assimilation of his work into twentieth- and twenty-first-century culture.
Proust and emotion Wimmers, Inge Crosman
Proust and emotion,
2003, 20031031, 2014, 2003-01-01
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InProust and Emotion, Inge Crosman Wimmers proposes a new approach toA la recherche du temps perduthat centres on the role of affect. Through close reading of the hero-narrator's personal history, ...the author shows how emotional paradigms (especially separation anxiety), involuntary memory, and other compelling impressions give focus and structure to Proust's novel. Drawing on reader-oriented and emotion theories, she shows how affect commands the attention of the 'motivated reader' and is crucial to the process of self-understanding for both the narrator and the reader.
This is the first extensive study in English to take fully into consideration the drafts (esquisses) published in the new Pléiade edition of the novel, the Mauriac edition ofAlbertine disparue, and material from the unpublished Proust manuscripts - all of which shed further light on the importance of affect inA la recherche.Proust and Emotionwill appeal to readers interested in an approach to Proust that combines insights from philosophy, psychology, and literary aesthetics and in a poetics of reading that pays particular attention to emotion.
Proust's A la recherche du temps perdu (In Search of Lost Time, 1913–27) changed the course of modern narrative fiction. This Introduction provides an account of Proust's life, the socio-historical ...and cultural contexts of his work and an assessment of his early works. At its core is a volume-by-volume study of In Search of Lost Time, which attends to its remarkable superstructure, as well as to individual images and the intricacies of Proust's finely-stitched prose. The book reaches beyond stale commonplaces of madeleines and memory, alerting readers to Proust's verbal virtuosity, his preoccupations with the fleeting and the unforeseeable, with desire, jealousy and the nature of reality. Lively, informative chapters on Proust criticism and the work's afterlives in contemporary culture provide a multitude of paths to follow. The book charges readers with the energy and confidence to move beyond anecdote and hearsay and to read Proust's novel for themselves.
John Ruskin by the voice of Marcel Proust : Journey to the artist’s selfThe translation of La Bible d’Amiens and Sesame et les Lys was a way for Proust to take an interest in religious art, but also ...to cultivate his own vision of art. Ruskin was for Proust a guide who participated in the support of his artistic self by transfering a certain number of aesthetic conceptions to which his mind would never have been able to access on its own. Proust succeeds in recognizing the decisive dimension of the Christian religion and its implications for Ruskin's aesthetics. Transcending the religious dimension, Proust realizes that Christian architecture, as understood by Ruskin, acquires a meaning other than religious, namely that of a past sublimated by the powers of art. Thus the historical dimension is annihilated in favor of an aesthetic perception of works from the past. Our article therefore aims to show how this experience of translation allowed Proust to deconstruct the aesthetic vision of the author of the translated text, while constructing a vision of art that is his own.
Around Proust Goodkin, Richard E; Goodkin, Richard E
1991., 19910605, 1991, 1991-06-05
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A study in obsession, Marcel Proust'sA la recherche du temps perduis seemingly a self-sufficient universe of remarkable internal consistency and yet is full of complex, gargantuan digressions. ...Richard Goodkin follows the dual spirit of the novel through highly suggestive readings of the work in its interactions with music, psychoanalysis, philosophy, and cinema, and such literary genres as epic, lyric poetry, and tragedy. In exploring this fascinating intertextual network, Goodkin reveals some of Proust's less obvious creative sources and considers his influence on later art forms. The artistic and intellectual entities examined in relation to Proust's novel are extremely diverse, coming from periods ranging from antiquity (Homer, Zeno of Elea) to the 1950s (Hitchcock) and belonging to the cultures of the Greek, French, German, and English-speaking worlds. In spite of this variety of form and perspective, all of these analyses share a common methodology, that of "digressive" reading. They explore Proust's novel not only in light of such famous passages as those of the madeleine and the good-night kiss, but also on the basis of seemingly small details that ultimately take us, like the novel itself, in unexpected directions.
Proust et le Rire Houppermans, Sjef; van Montfrans, Manet; Schulte Nordholt, Annelies ...
2020, Letnik:
16
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Ce volume comporte un dossier sur les dimensions du rire dans la Recherche : sociologique, esthétique, imaginaire et affective. Ensuite, des études sur Proust et Gracq, sur Proust 'veilleur de nuit', ...le pouvoir et ses emblèmes et sur la critique génétique combinée avec l'astrophysique. This volume includes a special on the functions of laughter in the Recherche: its sociological, aesthetic, imaginary and affective functions; otherwise there are articles on Proust and Gracq, Proust's sleepless nights, on power and its emblems and on genetic readings combined with astrophysics.
Mirages and mad beliefs Prendergast, Christopher; Prendergast, Christopher
2013., 20130721, 2013, 2013-07-21
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Marcel Proust was long the object of a cult in which the main point of reading his great novelIn Search of Lost Timewas to find, with its narrator, a redemptive epiphany in a pastry and a cup of ...lime-blossom tea. We now live in less confident times, in ways that place great strain on the assumptions and beliefs that made those earlier readings possible. This has led to a new manner of reading Proust, against the grain. InMirages and Mad Beliefs, Christopher Prendergast argues the case differently, with the grain, on the basis that Proust himself was prey to self-doubt and found numerous, if indirect, ways of letting us know. Prendergast traces in detail the locations and forms of a quietly nondogmatic yet insistently skeptical voice that questions the redemptive aesthetic the novel is so often taken to celebrate, bringing the reader to wonder whether that aesthetic is but another instance of the mirage or the mad belief that, in other guises, figures prominently inIn Search of Lost Time. In tracing the modalities of this self-pressuring voice, Prendergast ranges far and wide, across a multiplicity of ideas, themes, sources, and stylistic registers in Proust's literary thought and writing practice, attentive at every point to inflections of detail, in a sustained account of Proust the skeptic for the contemporary reader.
For forty years, scholars have had access to a vast array of documents that reveal the stages by which a few modest episodes grew into the vast and complex structure the world reveres as Marcel ...Proust's unique novel,A la recherche du temps perdu. Although many soundings have been made in this corpus, which comprises manuscript pages, exercise books, typescripts, and publisher's proofs, Anthony Pugh's study is the first attempt to provide a comprehensive view of the story that the documents reveal, at least in the years before the outbreak of war in 1914.
A crucial feature of the research is the rigorous establishment of the chronological sequence of the documents, a task complicated by Proust's habit of returning to sketches already written, amplifying them with extensive additions in the margins and on the facing pages, often reorganizing them, and finally reworking them in another form, sometimes physically intercalating pages of the first version into the new one. Anthony Pugh analyses with scrupulous care every document, facing all the multi-faceted problems they present, and showing why many solutions, some of them widely accepted by Proust scholars, have to be questioned.
It emerges from this investigation that however unsystematic Proust was in his method of composing, there is an inner logic in the way he oscillates between writing new incidents and editing texts already extant. Now, for the first time, the whole story of the way in whichA la recherche du temps perdugrew during the first six years of its gestation is told in full, both in its general thrust and in its fine details.
