This interdisciplinary series addresses the relation between media and cultural memory. Its publications study how media construct, store, and disseminate memory. The series' focus is on different ...media and technologies, such as text and image, the cinema and the new digital media, on transmediality, intermediality, and remediation, as well as on the social (and increasingly transnational and transcultural) contexts of mediated memory. The aim of the series is to provide a vibrant international platform for research and scholarly exchange in the field of media and memory studies. Manuscripts submitted to the series are peer reviewed by expert referees.
Павловићева посвећеност кутурно-друштвеним и митско-историјским фазама у развоју људске цивилизације непрестано се прелива са есејистичког на песнички рад, и обрнуто, те се ове праксе код њега тешко ...могу одвојено посматрати. Укупна Павловићева есејистика садржи у себи више проблемских сегмената, али они нису оделити простори већ саставни делови једне целовитије књижевне и културне мисли која се деценијама код овог аутора конзистентно објављивала, у чему се препознаје тесна повезаност његове есејистике са песничким опусом (касније и романсијерским), што је довело до обликовања једног вишег степена стваралачке кохеренције. Циљ овог рада јесте да, упоредним сагледавањем есејистичких и песничких текстова, укаже на заокупљеност културолошким и антрополошким феноменима у опусу Миодрага Павловића, посебно феноменом жртвеног обреда.
The paper presents the most significant scientific and academic achievements of Dijana Hadžizukić, associate professor at Department for Bosnian language and literature at Faculty of Humanities, ...‘Džemal Bijedić’ University of Mostar. Particular focus of the paper is given to author’s scientific books, as well as her participation in national and international conferences. With this, Dijana Hadžizukić stands out as an editor of several publications/conference proceedings, a mentor for students’ final papers (BA and MA) and one PhD thesis. This paper will confirm that Dijana Hadžizukić’s both scientific and academic work place this respected professor among the most relevant researchers of the history of Bosnian-Herzegovinian literature and its contemporary flows.
Rad donosi segmente prepiske prof. Svetozara Petrovića sa inostranim kolegom prof. Džejmsom Bejlijem o kompleksnosti anžambmana. Diskusija zasnovana na istovetnom interesovanju doprinela je bogaćenju ...značenja ove oblasti, odnosno nadogradila je sva dosadašnja tumačenja ovog pojma nudeći dodatne implikacije njenog proučavanja. Ujedno se i prethodna zapažanja i razna gledišta predočena u Petrovićevim spisima o stihu preciziraju. Nadasve, ističe se značaj kulturološke kontekstualizacije ove metričke pojave i njena povezanost sa različitim tradicijama čitanja poezije.
The stratification of the narrative world of the Red King is obvious and the degree of the narrator’s involvement in the story varies with the given narrative situation. Zoran Jugovic is the ...character, the hero of his story, he is the one who narrates and he mostly remarks, observes, focalizes the events which constitute the narrative world of the Red King. If we divide the narrative instance of the narrative world of the Red King into three parts, we will notice that the primary element of the narrative system of the mentioned Romanesque realization is collected in one linguistic creation.The hero, the narrator, the focalizer - they have the same identity, each segment has the same name. Therefore, Zoran Jugovic contains different narratological components - he is bot the narrator and the hero, the character, the protagonist and the focalizer of the events. The noetic capacity of the Red King focalizer is limited by its internal vision since the narrative instance of this work is multilayered and brings together more narratological functions, their perceptual abilities are in line with the aforemen-tioned. What characterizes this narrative and makes it specific is the subjective relation to the narrated, the partiality, the limited, the narrowed line of the perspective, and all mentioned significantly influences the story and its construction.
Traditionally, the basic qualities of imagology are associated with its key category—the literary ethnic character. A special field of imagological improvisations is the Serbian novel, which, ...according to well-known national experience and specific genre features, is favorable for ethnic panoramic imagological reactions, especially when it comes to the mid-20th – early 21st century. The aimof the research is to single out in chronological supposition the poetics of the literary presentation of the phenomenon of Ukraine in the Serbian novelistic discourse at the turn of the millennium. The research is based on comparative, comparative-typological, imagological methods in combination with approaches of structural-semantic and archetypal analysis. In the stated imagological perspective, the novels by I. Andrić, M. Crnjanski, M. Oljača, M. Selimović, G. Petrović, M. Prodanović and М. Pavić are analyzed. The works highlight semantic accents that emphasize the positive imagological view of Ukraine from its foreign ethnic reception, formed in genetically related – Serbian – literature, the tolerance of the Serbian people in creating subjective ethnic panoramas, indispensable for the evolutionary enrichment of intercultural communication based on epistemological heritage.
The article is focused on the issue of repeatability/periodicity of natural phenomena and historical events (including any maladical situations such as illnesses, plagues, murrains, invasions) along ...with durability of their socio-cultural/community perceptions, given meanings, actual and imagined formulations. Presented considerations are based on the South Slavic micro-texts (Old Serbian micro-texts) known more widely as records or marginalia (side notes) placed on the edges of the old manuscripts’ pages. Due to their construction, they are regarded not only as supplements but also as autonomous and internally consistent texts that is, the so-called small literary forms. Excerpted from these forms, epidemic narratives, malady threads refer to many cultural ideas, images and motifs analysis of which can be used to characterize and understand the attitude, emotions and predilections of the former generations.
This paper considers the critical reception of the books by Stevan Pešić Katmandu (Kathmandu), 1982; Svetlo ostrvo (The Island of Light), 1984; Sarat i Vipuli (Sarat and Vipuli), 1984; Tibetanci (The ...Tibetans), 1988; 1993, and selected works, 1991. Attention has been given to the immediate and early critical reactions, mainly reviews published in daily and weekly newspapers, and literary and scientific journals from the beginning of the 1980s to the beginning of the 1990s. Although this does not obviate the claims that Pešić was marginalized by literary scholars, the newspaper and journal criticism, containing reflections also by eminent members of the literary and academic scene of former Yugoslavia, is a relevant source of claims regarding his poetics. The observations related to Pešić’s artistic expression, and his poetic, narrative, novelistic and travel-writing methods are selected. By collating them, an image about Pešić’s work emerges in the eyes of his contemporaries as well as a range of axiological, analytical and interpretatively stimulating avenues of future research of his oeuvre.
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