"Life of Pi" by Yann Martel and "Zlateh the Goat" by Isaac Bashevis Singer, though set in vastly different contexts, both profoundly explore survival themes and the human-animal bond. "Life of Pi" ...follows the survival journey of Pi Patel, a young Indian boy stranded in the Pacific Ocean with a Bengal tiger named Richard Parker. The narrative delves into the challenges of surviving at sea, including hunger, thirst, exposure, and the constant threat from the tiger, highlighting Pi's resourcefulness and the evolution of his relationship with Richard Parker from fear to a symbiotic coexistence. In contrast, "Zlateh the Goat" is set in a wintry rural landscape where a Jewish boy, Aaron, becomes lost in a snowstorm with his family's goat, Zlateh. Seeking shelter in a haystack, Aaron's survival depends on the warmth and companionship of Zlateh, leading to a deep emotional bond that underscores their confinement. Both stories emphasize resilience and adaptation in the face of adversity, illustrating how unexpected bonds with animals can provide strength and solace. Additionally, both narratives highlight the significance of storytelling. "Life of Pi" presents different versions of Pi's survival tale, challenging perceptions of reality and exploring themes of faith, resilience, and the nature of reality through its unique narrative style. "Zlateh the Goat" draws on Jewish storytelling traditions to preserve history and offer hope, focusing on familial bonds and cultural resilience. In summary, "Life of Pi" and "Zlateh the Goat" depict survival through resilience, unexpected human-animal bonds, and the transformative power of storytelling. They celebrate the human spirit's ability to find hope and meaning in adversity, inviting readers to engage with deeper themes and explore the multifaceted layers of meaning within these narratives.
This article looks at Isaac Bashevis Singer's use of proverbs in three short stories and focuses specifically on how, through these proverbs, the author evokes an aura of universal truth and ancient ...wisdom, thereby imbuing his stories with a sense of meaning or purpose. I begin by defining “proverb” and “proverbial language” and go on to illustrate how the proverbial language that so saturates Singer's work is central not only to his stated aim of pointing to “eternal truth, “ but also to bolstering his own standing as a kind of prophet—albeit one with a sense of irony (and humor) not usually associated with prophecy, and one who, perhaps even more uncharacteristically for a prophet, eschewed absolute notions of truth. This seeming paradox—the affirmation and simultaneous disavowal of eternal or universal truth—is, as I demonstrate, a defining characteristic of Singer's mode of storytelling.
Isaac Bashevis Singer's work has often been identified with demons, but his use of the Yeytser-hore as narrator may be more than a simple preoccupation with the realm of evil. Rather than merely ...portraying evil in literature, Singer was working within a mystical tradition that harnessed what it saw as the powers of evil to do good in the world. This aspect of Singer's work has been largely under discussed and underresearched. A fuller consideration involves delving into the sources of his inspiration—especially religious and kabbalistic works—to grasp not only the images or motifs he was pulling from but also the spiritual understandings that he found and applied to his literary practice. This article explores Singer's spiritual framework, discussing his use of demons in light of a handwritten note found in the Singer Papers in Austin, Texas. This note prompts an investigation into some of the ways in which his spiritual understandings influenced the themes, strategies, and images found in his stories.
Nadszedł czas, kiedy chcemy podziękować za wspólną podróż, pomimo tego, że w tym roku była ona jedynie wirtualna. Dziękujemy za wszystkie miłe słowa i reakcje. Ta edycja pozwoliła nam powspominać, ...zebrać energie i pomysły.
Kock fragment Singera Ląkocy-Sulej, Agnieszka. Montaż; Walachniewicz, Konrad. Lektor
2020
Video Recording
Isaac Singer bardzo wysoko cenił Berka Joselewicza, który walczył u boku Kościuszki i zginął pod Kockiem. Opisał jego postać w jednym ze swoich esejów, dlatego też postanowiliśmy włączyć to ...miasteczko do naszego szlaku.
X Edycja Śladami Singera. Spot Walachniewicz, Konrad. Montaż; Stępień, Maciej. Nagr; End, Alice. Nagr
2020
Video Recording
W tym roku, jak zwykle w lipcu, mieliśmy już po raz 10. wyruszyć przez lubelskie miasta i miasteczka w ramach Międzynarodowego Festiwalu "Śladami Singera". Nie możemy jednak fizycznie spotkać się na ...szlaku miejsc uwiecznionych w literaturze Izaaka Baszewisa Singera. Z pomocą przychodzi nam nowa technologia, a dokładnie – Internet.
Schlemiel & Schlimazel Esposito, Veronica
World literature today,
11/2023, Letnik:
97, Številka:
6
Journal Article
Recenzirano
In order to offer its translation, I will need to pair it with the Yiddish word schlimazel, as these words often go together; their most succinct English translation is commonly stated as follows: a ...schlemiel is somebody who tends to spill his soup, and a schlimazel is the person it lands on. Yiddish literature scholar Ruth R. Wisse locates the schlemiel, schlimazel, and associated types as emerging from the figure of the Jewish fool, which developed in the Middle Ages as a way of mediating the encounters of Jewish people with dominant European cultures. Yiddish began to develop its own literary works around the fourteenth century, and by the late nineteenth century it had emerged as a major language among Jewish people in eastern Europe, seen as a force that could hold the community together, be a source of shared cultural heritage, and help resist assimilation. Individuals such as the comedian Joan Rivers and the politician Sarah Palin have been proposed as female schlemiels-the former for her brash comedy (not befitting of the stereotypical modesty expected of women), the latter for her ascension to power despite her inherent ineptitude-yet the word seems, for the most part, exclusively male.
