Recent Thoreau studies have shifted to an emphasis on the green" Thoreau, on Thoreau the environmentalist, rooted firmly in particular places and interacting with particular objects. In the wake of ...Buell'sEnvironmental Imagination,the nineteen essayists in this challenging volume address the central questions in Thoreau studies today: how "green," how immersed in a sense of place, was Thoreau really, and how has this sense of place affected the tradition of nature writing in America?
The contributors to this stimulating collection address the ways in which Thoreau and his successors attempt to cope with the basic epistemological split between perceiver and place inherent in writing about nature; related discussions involve the kinds of discourse most effective for writing about place. They focus on the impact on Thoreau and his successors of culturally constructed assumptions deriving from science, politics, race, gender, history, and literary conventions. Finally, they explore the implications surrounding a writer's appropriation or even exploitation of places and objects.
As we approach the bicentennial, in 2017, of the birth of Henry David Thoreau, there is considerable debate and confusion as to what he may, or may not have, contributed to American life and culture. ...Almost every American has heard of Thoreau, but only a few are aware that he was deeply engaged with most of the important issues of his day, from slavery to “Manifest Destiny” and the rights of the individual in a democratic society. Many of these issues are still affecting us today, as we move toward the second quarter of the twenty-first century. By studying how various American artists have chosen to portray Thoreau over the years since the publication of Walden in 1854, we can gain a clear understanding of how he has been interpreted (or misinterpreted) throughout the years since his death in 1862. But along the way, we might also find something useful, for our times, in the insights that Thoreau gained as he wrestled with the most urgent problems being experienced by American society in his day
Thoreau's Living Ethics is the first full, rigorous account of Henry Thoreau's ethical philosophy. Focused on Walden but ranging widely across his writings, the study situates Thoreau within a long ...tradition of ethical thinking in the West, from the ancients to the Romantics and on to the present day. Philip Cafaro shows Thoreau grappling with important ethical questions that agitated his own society and discusses his value for those seeking to understand contemporary ethical issues. Cafaro's particular interest is in Thoreau's treatment of virtue ethics: the branch of ethics centered on personal and social flourishing. Ranging across the central elements of Thoreau's philosophy-life, virtue, economy, solitude and society, nature, and politics-Cafaro shows Thoreau developing a comprehensive virtue ethics, less based in ancient philosophy than many recent efforts and more grounded in modern life and experience. He presents Thoreau's evolutionary, experimental ethics as superior to the more static foundational efforts of current virtue ethicists. Another main focus is Thoreau's environmental ethics. The book shows Thoreau not only anticipating recent arguments for wild nature's intrinsic value, but also demonstrating how a personal connection to nature furthers self-development, moral character, knowledge, and creativity. Thoreau's life and writings, argues Cafaro, present a positive, life-affirming environmental ethics, combining respect and restraint with an appreciation for human possibilities for flourishing within nature.
Today, Henry David Thoreau's status as one of America's most influential public intellectuals remains unchallenged. Recent scholarship on Thoreau has highlighted his activism as a committed ...antislavery reformer and proto-environmentalist whose life became a seminal model for the image of the liberal conscience. While modern scholars have firmly established Thoreau's relevance, their focus on his public activism has undervalued the complexity and range of his contributions to American political thought and has neglected crucial facets of his philosophy regarding democratic citizenship.
InThe Political Thought of Henry David Thoreau, Jonathan McKenzie analyzes not only Thoreau's well-known works but also his journals and correspondence to provide a fresh portrait of the Sage of Walden as a radical individualist. This new account examines the influence that ancient philosophers, particularly the Stoics, had on Thoreau and demonstrates his importance as one of the best modern interpreters of Socrates's vision of the self. McKenzie also argues that Thoreau's own political life was shaped by a theory of privatism that encouraged both a radical simplification of one's commitments and regular engagement in experiments that plumbed life for its most essential values.
Shunning grand abstractions and cosmopolitanism in favor of the wonders of daily life, Thoreau's work provides a critique of political and social life that seeks to restore the wholeness of the human subject by rescuing it from the clutches of public concerns. Indeed, McKenzie's nuanced, provocative analysis reveals Thoreau as a multifaceted philosopher who brilliantly wrestled with the complexities of ethical participation in modern democracy.
In 1845, Henry David Thoreau moved from his parents' house in Concord, Massachusetts, to a one-room cabin on land owned by his mentor, Ralph Waldo Emerson. After 26 months he transformed his stay in ...the woods into one of the most famous events in American history. In Walden x 40, adopting Thoreau's own compositional method, Robert B. Ray takes up several questions posed in Walden. Thoreau developed his books from his lectures, and his lectures from his almost-daily journal notations of the world around him, with its fluctuating weather and appointed seasons, both forever familiar and suddenly brand new. Ray derives his 40 brief essays from the details of Walden itself, reading the book in the way that Thoreau proposed to explore his own life-deliberately. Ray demonstrates that however accustomed we have grown to its lessons, Walden continues to be as surprising as the November snowfall that, Thoreau reports, "covered the ground... and surrounded me suddenly with the scenery of winter."
"I am no more lonely than the Mill Brook, or a weathercock, or the north star, or the south wind, or an April shower, or a January thaw, or the first spider in a new house," wrote Henry David Thoreau ...inWalden.In creating this list, and many others that appear in his writings, Thoreau was working within a little-recognized yet ancient literary tradition: the practice of listing or cataloguing. This beautifully written book is the first to examine literary lists and the remarkably wide range of ways writers use them.Robert Belknap first examines lists through the centuries-from Sumerian account tablets and Homer's catalogue of ships to Tom Sawyer's earnings from his fence-painting scheme-then focuses on lists in the works of four American Renaissance authors: Emerson, Whitman, Melville, and Thoreau. Lists serve a variety of functions in Emerson's essays, Whitman's poems, Melville's novels, and Thoreau's memoirs, and Belknap discusses their surprising variety of pattern, intention, scope, art, and even philosophy. In addition to guiding the reader through the list's many uses, this book explores the pleasures that lists offer.
From Thoreau's renowned Journal, a treasury of memorable, funny, and sharply observed accounts of his encounters with the wild and domestic animals of Concord Many of the most vivid writings in the ...renowned Journal of Henry David Thoreau concern creatures he came upon when rambling the fields, forests, and wetlands of Concord and nearby communities. A keen and thoughtful observer, he wrote frequently about these animals, always sensitive to their mysteries and deeply appreciative of their beauty and individuality. Whether serenading the perch of Walden Pond with his flute, chasing a loon across the water's surface, observing a battle between black and red ants, or engaging in a battle of wits with his family's runaway pig, Thoreau penned his journal entries with the accuracy of a scientist and the deep spirituality of a transcendentalist and mystic. This volume, like its companion Thoreau's Wildflowers, is arranged by the days of the year, following the progress of the turning seasons. A selection of his original sketchbook drawings is included, along with thirty-five exquisite illustrations by naturalist and artist Debby Cotter Kaspari.
Our Common Dwelling explores why America's first literary circle turned to nature in the 1830s and '40s, showing that when the Transcendentalists spiritualized the landscape, they were reacting to ...intense class conflict in the industrializing cities of New England.
Thoreau was a poet, a naturalist, a major American writer. Was he also a scientist? He was, Laura Dassow Walls suggests. Her book, the first to consider Thoreau as a serious and committed scientist, ...will change the way we understand his accomplishment and the place of science in American culture.     Walls reveals that the scientific texts of Thoreau’s day deeply influenced his best work, from Walden to the Journal to the late natural history essays. Here we see how, just when literature and science were splitting into the “two cultures” we know now, Thoreau attempted to heal the growing rift. Walls shows how his commitment to Alexander von Humboldt’s scientific approach resulted in not only his “marriage” of poetry and science but also his distinctively patterned nature studies. In the first critical study of his “The Dispersion of Seeds” since its publication in 1993, she exposes evidence that Thoreau was using Darwinian modes of reasoning years before the appearance of Origin of Species .     This book offers a powerful argument against the critical tradition that opposes a dry, mechanistic science to a warm, “organic” Romanticism. Instead, Thoreau’s experience reveals the complex interaction between Romanticism and the dynamic, law-seeking science of its day. Drawing on recent work in the theory and philosophy of science as well as literary history and theory, Seeing New Worlds bridges today’s “two cultures” in hopes of stimulating a fuller consideration of representations of nature.    
