The Jester and the Sages Robinson, Forrest G; Brahm, Gabriel Noah; Carlstroem, Catherine
2012, 2011, Letnik:
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The Jester and the Sages approaches the life and work of Mark Twain by placing him in conversation with three eminent philosophers of his time—Friedrich Nietzsche, Sigmund Freud, and Karl Marx. ...Unprecedented in Twain scholarship, this interdisciplinary analysis by Forrest G. Robinson, Gabriel Noah Brahm Jr., and Catherine Carlstroem rescues the American genius from his role as funny-man by exploring how his reflections on religion, politics, philosophy, morality, and social issues overlap the philosophers' developed thoughts on these subjects. Remarkably, they had much in common. During their lifetimes, Twain, Nietzsche, Freud, and Marx witnessed massive upheavals in Western constructions of religion, morality, history, political economy, and human nature. The foundations of reality had been shaken, and one did not need to be a philosopher—nor did one even need to read philosophy—to weigh in on what this all might mean. Drawing on a wide range of primary and secondary materials, the authors show that Twain was well attuned to debates of the time. Unlike his Continental contemporaries, however, he was not as systematic in developing his views. Brahm and Robinson's chapter on Nietzsche and Twain reveals their subjects' common defiance of the moral and religious truisms of their time. Both desired freedom, resented the constraints of Christian civilization, and saw punishing guilt as the disease of modern man. Pervasive moral evasion and bland conformity were the principal end result, they believed. In addition to a continuing focus on guilt, Robinson discovers in his chapter on Freud and Twain that the two men shared a lifelong fascination with the mysteries of the human mind. From the formative influence of childhood and repression, to dreams and the unconscious, the mind could free people or keep them in perpetual chains. The realm of the unconscious was of special interest to both men as it pertained to the creation of art. In the final chapter, Carlstroem and Robinson explain that, despite significant differences in their views of human nature, history, and progress, Twain and Marx were both profoundly disturbed by economic and social injustice in the world. Of particular concern was the gulf that industrial capitalism opened between the privileged elite property owners and the vast class of property-less workers. Moralists impatient with conventional morality, Twain and Marx wanted to free ordinary people from the illusions that enslaved them. Twain did not know the work's of Nietzsche, Freud, and Marx well, yet many of his thoughts cross those of his philosophical contemporaries. By focusing on the deeper aspects of Twain's intellectual makeup, Robinson, Brahm, and Carlstroem supplement the traditional appreciation of the forces that drove Twain's creativity and the dynamics of his humor.
Mark Twain, American Humorist examines the ways that Mark Twain's reputation developed at home and abroad in the period between 1865 and 1882, years in which he went from a regional humorist to ...national and international fame. In the late 1860s, Mark Twain became the exemplar of a school of humor that was thought to be uniquely American. As he moved into more respectable venues in the 1870s, especially through the promotion of William Dean Howells in the Atlantic Monthly, Mark Twain muddied the hierarchical distinctions between class-appropriate leisure and burgeoning forms of mass entertainment, between uplifting humor and debased laughter, and between the literature of high culture and the passing whim of the merely popular.
This book begins the first multi-volume biography of Samuel Clemens to appear in over a century. In the succeeding years, Clemens biographers have either tailored their narratives to fit the ...parameters of a single volume or focused on a particular period or aspect of Clemens's life, because the whole of that epic life cannot be compressed into a single volume. In The Life of Mark Twain, Gary Scharnhorst has chosen to write a complete biography plotted from beginning to end, from a single point of view, on an expansive canvas.With dozens of Mark Twain biographies available, what is left unsaid? On average, a hundred Clemens letters and a couple of Clemens interviews surface every year. Scharnhorst has located documents relevant to Clemens's life in Missouri, along the Mississippi River, and in the West, including some which have been presumed lost. Over three volumes, Scharnhorst elucidates the life of arguably the greatest American writer and reveals the alchemy of his gifted imagination.
Was Huck Black? Fishkin, Shelley Fisher
1994, 1993-04-29
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Published in 1884, Huckleberry Finn has become one of the msot widely taught novels in American curricula. But where did it come from, and what made it so distinctive? Shelley Fisher Fishkin suggests ...that in Huckleberry Finn, more than any other work, Mark Twain let African-American voices, language, and rhetorical traditions play a major role in the creation of his art.In Was Huck Black? Fishkin combines close readings of published and unpublished writing by Twain with intensive biographical and historical research and insights gleaned from linguistics, literary theory, and folklore to shed new light on the role African-American voices played in the genesis of Huckleberry Finn. Given that book's importance in American culture, her analysis illuminates, as well, how African-American voices have shaped our sense of what is distinctively"American" about American literature.American literary historians have told a largely segregated story: white writers come from white literary ancestors, black writers from black ones. The truth is more complicated and more interesting. While African-American culture shaped Huckleberry Finn, that novel, in turn, helped shape African-American writing in the twentieth century. As Ralph Ellison commented in an interview with Fishkin, Twain "made it possible for many of us to find our own voices."Was Huck Black? dramatizes the crucial role of black voices in Twain's art, and takes the first steps beyond traditional cultural boundaries to unveil an American literary heritage that is infinitely richer and more complex than we had thoguht.
I was educated, I was trained, I was a Presbyterian : conformity and critique in Mark Twain's religious dialogue -- Providence don't fire no blank cartridges, boys : God, grotesques, and ...Sunday-school books in Roughing it -- Mark Twain's hymns in prose : doxology and burlesque in The adventures of Tom Sawyer and Adventures of Huckleberry Finn -- Mark Twain's cruci-fictions : the Second advent as a burlesque life of Christ -- The morphology of martyrdom : fairy tale, epic, and hagiography in Personal recollections of Joan of Arc -- Q: what do Socrates and the shorter catechism have in common? a: dialogic influences on Twain's What is man? -- Prophecy went out with the chicken guts : No. 44, The mysterious stranger, and the christian prophetic tradition
Whether he was taking us along for a journey down the Mississippi with a couple of runaways or delivering speeches on the importance of careful lying, Mark Twain had an innate ability to captivate ...readers and listeners alike with his trademark humor and sarcasm. Twain never lacked for material, either, as his strong opinions regarding most issues gave him countless opportunities to articulate his thoughts in the voice that only he could provide. A frequent outlet for Twain's wit was in letters to the editors of various newspapers and periodicals. Sharing his thoughts and opinions on topical issues ranging from national affairs to local social events, with swipes along the way at woman suffrage, potholes, literary piracy and other scams, slow mail delivery, police corruption, capital punishment, and the removal of Huck Finn from libraries, Twain never hesitated to speak his mind. And now thanks to Gary Scharnhorst, more than a hundred of these letters are available in one place for us to enjoy. From his opinions on the execution of an intellectually brilliant murderer, to his scathing review of a bureau he perceived as "a pack of idiots" running on a currency of doughnuts, Twain's pure, unbridled voice is evident throughout his letters. Mark Twain on Potholes and Politics gives readers a chance to delve further than ever before into the musings of the most recognizable voice in American literature.
Choice Outstanding Academic Title for 20 20 The second volume of Gary Scharnhorst's three-volume biography chronicles the life of Samuel Langhorne Clemens between his move with his family from ...Buffalo to Elmira (and then Hartford) in spring 1871 and their departure from Hartford for Europe in mid-1891.During this time he wrote and published some of his best-known works, including Roughing It, The Gilded Age, The Adventures of Tom Sawyer, A Tramp Abroad, The Prince and the Pauper, Life on the Mississippi, Adventures of Huckleberry Finn, and A Connecticut Yankee in King Arthur's Court. Significant events include his trips to England (1872–73) and Bermuda (1877); the controversy over his Whittier Birthday Speech in December 1877; his 1878–79 Wanderjahr on the continent; his 1882 tour of the Mississippi valley; his 1884–85 reading tour with George Washington Cable; his relationships with his publishers (Elisha Bliss, James R. Osgood, Andrew Chatto, and Charles L. Webster); the death of his son, Langdon, and the births and childhoods of his daughters Susy, Clara, and Jean; as well as the several lawsuits and personal feuds in which he was involved. During these years, too, Clemens expressed his views on racial and gender equality and turned to political mugwumpery; supported the presidential campaigns of Grover Cleveland; advocated for labor rights, international copyright, and revolution in Russia; founded his own publishing firm; and befriended former president Ulysses S. Grant, supervising the publication of Grant's Memoirs. The Life of Mark Twain is the first multi- volume biography of Samuel Clemens to appear in more than a century and has already been hailed as the definitive Twain biography.
Dear Mark Twain Rasmussen, R. Kent
2013., 20130322, 2013, 2013-04-21, Letnik:
4
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A voracious pack-rat, Mark Twain hoarded his readers' letters as did few of his contemporaries. Dear Mark Twain collects 200 of these letters written by a diverse cross-section of correspondents from ...around the world—children, farmers, schoolteachers, businessmen, preachers, railroad clerks, inmates of mental institutions, con artists, and even a former president. It is a unique and groundbreaking book—the first published collection of reader letters to any writer of Mark Twain's time. Its contents afford a rare and exhilarating glimpse into the sensibilities of nineteenth-century people while revealing the impact Samuel L. Clemens had on his readers. Clemens's own and often startling comments and replies are also included. R. Kent Rasmussen's extensive research provides fascinating profiles of the correspondents, whose personal stories are often as interesting as their letters. Ranging from gushing fan appreciations and requests for help and advice to suggestions for writing projects and stinging criticisms, the letters are filled with perceptive insights, pathos, and unintentional but often riotous humor. Many are deeply moving, more than a few are hilarious, some may be shocking, but none are dull.
Mark Twain at Home Kiskis, Michael J; Scharnhorst, Gary; Trombley, Laura Skandera
2016, 2016-06-15
eBook
Twain scholar Michael Kiskis opens this fascinating new exploration of Twain with the observation that most readers have no idea that Samuel Clemens was the father of four and that he lived through ...the deaths of three of his children as well as his wife. In Mark Twain at Home: How Family Shaped Twain’s Fiction , Kiskis persuasively argues that not only was Mark Twain not, as many believe, “antidomestic,” but rather that home and family were the muse and core message of his writing.
Mark Twain was the child of a loveless marriage and a homelife over which hovered the constant specter of violence. Informed by his difficult childhood, orthodox readings of The Adventures of Tom Sawyer and Adventures of Huckleberry Finn frame these canonical literary figures as nostalgic—autobiographical fables of heroic individualists slipping the bonds of domestic life.
Kiskis, however, presents a wealth of biographical details about Samuel Clemens and his family that reinterpret Twain’s work as a robust affirmation of domestic spheres of life. Among Kiskis’s themes are that, as the nineteenth century witnessed high rates of orphanhood and childhood mortality, Clemens’s work often depicted unmoored children seeking not escape from home but rather seeking the redemption and safety available only in familial structures. Similarly, Mark Twain at Home demonstrates that, following the birth of his first daughter, Twain began to exhibit in his writing an anxiety with social ills, notably those that affected children.
In vigorous and accessible descriptions of Twain’s life as it became reflected in his prose, Kiskis offers a compelling and fresh understanding of this work of this iconic American author.
