This paper undertakes a comparative analysis of two interpretations of Pavel Pestel’s personality and fate in the literature of the late Khrushchev thaw. The contribution of the peer writers to the ...liberation of cultural and historical memory from official dictatorship is discussed, the basis of their ideological similarity is shown: this is the awareness of the fatal problem of morality and revolution (Zorin). The author of the tragedy The Decembrists (1966) and the author of the novel Poor Avrosimov (published in 1969) worked with the same documents on the history of Decembrism, but each of them established his own hierarchy of sources. The article shows the difference between creative strategies and remarkable artistic results of both authors. Zorin, who surprised his contemporaries with his bold approach to a familiar topic, on the whole remained true to the spirit of the Decembrist myth. For the playwright, the memoir testimony of the priest Myslovsky (“Nothing shook his firmness”) was of paramount importance; therefore, even on the eve of his execution, Zorin’s hero is presented as a forward-looking fighter. The chief Decembrist in Okudzhava’s work is different: the concept of the novel is based on the facts that “in the first person” overturn the mythologized reputation of Pestel. This allows the modern writer to see the eternal – existential – nature in the old political tragedy. The context of Okudzhava’s creative search is formed not only by historical documents, but also by impressions from the Decembrists (a play and performance on the stage of the Sovremennik Theatre); the article underlines the main aspects of the polemical dialogue between the novelist and the playwright. While Zorin’s play skillfully updates the Decembrist mythology and Pestel’s personal myth, the myth in Okudzhava’s novel is reflected and hence overcome.
The formation of a road industry in the Bashkir ASSR in the first decade of Soviet government are discussed (1917-1927). Attention is paid to the road system, sources of its support, construction, ...financing and supply. The results of a comparative analysis of statistical indicators of road construction in BASSR and the whole country are presented. The question is raised about the readiness of BASSR road management to implement the first five-year plan. Special attention is paid to the issue of classification of roads, determining their traffic density, the material-technical base and personnel potential of road agencies. It is shown that these actions of the road authorities were undertaken partially. The novelty of the research is seen in the fact that for the first time on the basis of not published earlier archival data the main problems of road affairs in Bashkiria are revealed, as well as their solutions at the local level. The regional specificity in the process of implementation of construction works are identified. The relevance of the study is determined by the large scientific and public interest in the history of road construction as a complex socio-economic and political phenomenon. The study of the road sector as a major socio-economic phenomenon in the history of our country allows to trace the complex social, economic and political relations on the example of the Bashkir ASSR.
Comment Reddy, William M
Slavic review,
07/2009, Letnik:
68, Številka:
2
Journal Article
Recenzirano
Reddy comments on each of the essays that is framed as the discussion of a specific emotion or emotional attitude--the perception of emotional coldness (Andrei Zorin), fear (Jan Plamper), disgust ...(Olga Matich and Adi Kuntsman). He argues that these authors offer both much less and much more. Zorin's study of Aridrei Turgenev provides a glimpse of the transition from an eighteenth- to an early nineteenth-century emotional regime. Plamper's examination of the emergence of military psychology traces the development of a late nineteenth-century social science of the psyche. Matich explores the somatic anxieties of an early twentieth-century novelist, reminiscent of a whole strain of troubled and troubling early twentieth-century reflection. Kuntsman probes the powerlessness of victims of Stalinist-era labor camps, whose sufferings resemble those of millions of others caught in modernist state projects aimed at administering mass emotions. These essays shed precious new light on an emerging terrain, and, by their careful interpretive work, point to important connections and chronological twists.
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: EFG - The European Film Gateway Istituto Luce - Cinecittà - Data provided by Europeana Collections- Stevenson ...e Zorin parlano davanti ai delegati dell'ONU- 1 - fotografie aeree in cui sono visibili le basi missilistiche di Cuba- 2 - un militare posioziona uno strumento metallico forse un telescopio- 3 - flotta di navi da guerra statunitensi nelle acqua in prossimità di Cuba- 4 - aeroplano in fase di atterraggio sulla pista- 5 - soldati statunitensi scendono dall'aeroplano- U Than presiede la seduta dell'Onu- Kruscev legge un messaggio indirizzato a Kennedy- Castro parla davanti ai microfoni- 6 - coste viste dall'alto- 7 - gruppi di soldati accampati su uno spiazzo- 3 - fleet of us warships in the water near Cuba- 2 - a military man places a metal instrument perhaps a telescope- 1 - aerial photographs in which the missile bases of Cuba are visible- Stevenson and Zorin speak before UN delegates- U than chairs the UN sitting- Kruscev reads a message addressed to Kennedy- Castro speaks before microphones- 7 - groups of soldiers camped on a spit- 6 - coasts seen from above- 5 - us soldiers get off the airplane- 4 - airplane landing on runway- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Extended description:
Stevenson e Zorin parlano davanti ai delegati dell'ONU; fotografie aeree in cui sono visibili le basi ...missilistiche di Cuba; un militare posioziona uno strumento metallico forse un telescopio; flotta di navi da guerra statunitensi nelle acqua in prossimità di Cuba; aeroplano in fase di atterraggio sulla pista; soldati statunitensi scendono dall'aeroplano; U Than presiede la seduta dell'Onu; Kruscev legge un messaggio indirizzato a Kennedy; Castro parla davanti ai microfoni; coste viste dall'alto; gruppi di soldati accampati su uno spiazzo- Crisis of Cuba solved through diplomacy. In a message to Kennedy, Krushev undertakes to dismantle Soviet missile bases in Cuba- Original language summary:
Si risolve per via diplomatica la crisi di Cuba. Kruscev, in un messaggio indirizzato a Kennedy, si impegna a far smantellare le basi missilistiche sovietiche a Cuba- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: Istituto Luce - Cinecittà EFG - The European Film Gateway - Data provided by Europeana Collections- Aeroporto ...di Bonn- Zorin e consorte scendono la scaletta dell'aereo- 1 - autorità tedesche rendono omaggio alla coppia- 2 - fotografi e operatori con telecamere in piedo su macchine in sosta- Zorin improvvisa conferenza stampa all'aeroporto, i cronisti riempiono i taccuini.- Palermo:- 3 - il parco di Villa Igea attraverso le finestre della villa- 4 - giornalisti riuniti intorno ad un tavolo coperto di riviste e giornali- 5 - la facciata della villa- 6 - in una sala Fuscà in tribuna legge i nomi dei vincitori, applausi della giuria- 7 - il pubblico intorno ai tavolini applaude- Edschmidt prende in consegna il premio- 8 - il console inglese ritira il premio- 9 - una coppia seduta ad un tavolino- De stefani ritira il premio- 10 - flash dei fotografi e applausi dei presenti- Corea:- 11 - bandiera greca viene ammainata in un campo, un soldato suona la tromba- 12 - soldati del corpo di spedizione greco salutano un militare- 13 - i soldati carichi di bagagli lasciano il treno e si dirigono verso il porto- 14 - i soldati passano sotto un arco, avanzano su una pista- 15 - i soldati si imbarcano, fanno cenni di saluto verso la banchina.- Firenze (Collodi):- 16 - un piazzale circondato di pareti ornate a mosaico ai piedi di una collina, Collodi sullo sfondo- 17 - un uomo ripulisce un mosaico- 18 - operai sollevano e trasportano casetta in legno- 19 - un uomo cosparge materiale sulla parete, tra le tessere del mosaico- 20 - una carriola poggiata sotto un mosaico- 21 - le figure del mosaico- 22 - un bimbo gioca con un gatto davanti al mosaico raffigurante un gatto- 23 - bambini affacciati sulle pareti decorate.- 23 - children facing decorated walls.- 21 - the figures of the mosaic- 20 - a wheelbarrow rested under a mosaic- 17 - a man cleans up a mosaic- 10 - flash of photographers and applause of those present- 1 - German authorities pay tribute to the couple- 12 - soldiers of the Greek expeditionary Corps greet a military man- Zorin sudden press conference at the airport, reporters fill notebooks.- 13 - soldiers loaded with luggage leave the train and head for the port- 2 - photographers and operators with cameras in piedo on parked machines- 4 - journalists gathered around a table covered in magazines and newspapers- 22 - a child plays with a cat in front of the mosaic depicting a cat- 11 - Greek flag is killed in a field, a soldier plays the trumpet- 15 - soldiers embark, make nods of greeting to the quay.- 6 - in a hall Fuscà in the stands he reads the names of the winners, applause of the jury- 18 - workers lift and transport wooden houses- 14 - soldiers pass under an arch, advance on a track- 16 - a square surrounded by mosaic ornate walls at the foot of a hill, Collodi in the background- 3 - the park of Villa Igea through the windows of the villa- Zorin and Consorte get off the plane's ladder- Florence (Collodi):- Edschmidt takes over the prize- De Stefani withdraws the prize- Korea:- 19 - a man sprinkles material on the wall, between the mosaic tiles- Bonn airport- 9 - a couple sitting at a small table- 8 - the English consul withdraws the prize- 7 - the audience around the tables applauds- 5 - the façade of the villa- Palermo:- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
The taungya method is usually defined as a reforestation method in which tree seedlings and agricultural crops are simultaneously planted at the initial stage of reforestation until the amount of ...crop harvest decrease due to crown closure. After that only the trees are left, with the final aim to establish man-made forests. The reforestation method “Yakihata-zorin (Kobasaku or Kirikaebata) in Japan is virtually the same as the taungya method and dates back to the early 1700s prior to establishment of the taungya method in Burma (Myanmar). This method is still being practiced in the Sampoku region, Niigata prefecture. At present, instead of buckwheat or millet, red turnip (Brassica campestris var. glabra), which is processed into pickles, is cultivated with Sugi (Cryptomeria japonica) seedlings. When land owners permit cultivation of turnip they can save on land preparation and weeding expenses in the first year and also save weeding costs in the second year by cultivating azuki beans. The yakihata-zorin method practiced in Japan has potential for improvement of taungya method practiced in tropical countries.
Provider: - Institution: - Data provided by Europeana Collections- Cronică de teatru: „Un bărbat si ... cam multe femei", adaptare după textul lui Leonid Zorin, în regia lui Bogdan Ulmu.- Scena- All ...metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
