The article analyzes the central work of fiction by the famous Soviet science fiction writer of the second half of the 20th century, whose work was almost not considered in scientific works, and the ...problem of anthroponymy was not considered at all. The science fiction novel by S. Snegov “People as gods” served as the material for the study. Using contextual, mythological, structural-semantic and intertextual methods, an analysis was made of the proper names of the key characters in this work in order to better understand the author's intention. The protagonist's name, Eli, has an obvious connection with the biblical name El, which is found as a common and generic designation for God in various languages and dialects of the Middle East. In addition, it is a direct reference to the title of the work, which contains the central question in the artistic system of the novel about man as a god-like being. The name of the protagonist's wife – Mary – is the English form of the Russian name Maria, which contains a high meaning, well understood by the Christian consciousness. In the complete absence of any external or internal similarity between the heroine of Snegov and the Virgin Mary, there is an associative connection between them: as a biologist, Mary is looking for ways to spread life on uninhabited planets. In addition, she is the mother of a boy named Astre, who in the novel is associated with the Person of the Gospel Savior. The semantics of the names of other characters also connects the ideological space of the work with the foundations of the Christian worldview. Thus, consideration of the names of the central characters gives the author the opportunity to show that the onomastic field in terms of anthroponyms is semantically connected with biblical motifs and plots. System analysis leads the author to the conclusion that anthroponyms in the novel create a special semantic space that contributes to a deep understanding of the author's intentions.
This paper explores the extratextual meaning of The Little Prince based on the evocations of biblical associations, namely the associations with Jesus Christ. Biblical motifs and the biblical context ...are evoked primarily by the title “prince”, since Jesus is called “The Prince of princes” in the Bible, and further congruence and symbolism continues in his physical appearance and in the overall story which is filled with biblical associations and biblical symbols as signals for interpreting the text. Attention is also given to the drawings of the Little Prince where many graphic symbols can be discovered, again connected to the person of Jesus Christ. The text of The Little Prince, therefore, surely cannot be read literally and unambiguously. The analysis is based on indirect meanings and seeks confirmation in the links between the direct, explicit text and the biblical, implicit context.
Pjesnik, esejist, kritik i prevoditelj Viktor Vida (1913. – 1960.) jedan je od najboljih i najuglednijih hrvatskih emigrantskih pjesnika. Stvaralac je nezavidne sudbine, tragičnoga osjećanja života i ...tegobnoga životnog puta. Njegovo je pjesništvo tematski raznoliko, višeslojno i kompleksno. Tematski je usmjereno na zavičaj, događaje iz Biblije, skrivenoga Boga, anđele, egzistencijalnu tjeskobu i smrt. U Vidinoj „domovinskoj“ i „emigrantskoj“ fazi do izražaja dolaze sljedeći motivi: nostalgično sjećanje na djetinjstvo i rodnu Boku, poistovjećenje lirskoga subjekta sa zavičajnim krajolikom kao kulturnom i ontološkom kategorijom; prognanička sudbina, životne teškoće, samoća, patnja, nemiri i strah lirskoga subjekta, neprilagođenost argentinskome krajoliku; osjećaj izopćenosti, iskorijenjenosti, disocijacija i melankolija lirskoga subjekta; traganje za identitetom koji je u tuđini izgubio svoju usidrenost; život i smrt, čežnja za nadilaženjem prolaznosti; religiozne misli, doživljaji i aluzije, biblijske asocijacije, trpljenje i kršćanska suosjećajnost, tiha povjerenja i sumnje, prigovor šutnji Neba; otajstveni i skriveni Bog, Bog kao jedini sugovornik potresena pojedinca, zahvaljivanje i skrušenost pred Bogom; transcendencija i eshatološke vizije. U Vidinoj su poeziji razvidni utjecaji impresionizma i hermetizma. Svojim je egzistencijalnim temama, širokim duhovnim obzorima, religijskim nadahnućima, kršćanskom eshatološkom motivikom i religiozno tihim povjerenjima Viktor Vida umnogome obogatio ne samo religioznu, nego i cjelokupnu hrvatsku liriku.
Članak interpretira djelo iz naslova tumačeći kako ono usložnjava žanrovske odrednice likova, događaja, mjesta i vremena. Razjašnjene su i posljedice na značenje koje ovakvi postupci uzrokuju. U ...žanrovskom smislu, novela tako počinje rasti prema pripovijetki i romanu. Tumače se također odrednice biblizama, hrane, tragike i komike, moguće netolerancije te razgovori. Horvatićeva novela ipak uspijeva zadržati visoku razinu jasnoće i protočnosti. Autor predlaže nekoliko metodičkih postupaka primjenjivih u nastavi: odnos s poviješću, odnos s filmovima Schindlerova lista, Valkyre i Duga, mračna noć te novo pripovijedanje iz pozicije različitih likova, novo pripovijedanje s promijenjenim završetkom i dopunu karakterizacija likova.
5 k., 205 i.e. 206 s., 2 k. : il. ; 4°
Błędy w paginacji: zdublowane oznaczenie s. 77
Ded. wyd.: Jasnie Oswieconemu Xiązęciu Imci Kardynałowi Janowi Alexandrowi Na Lipe Lipskiemu ... / X. M. Klemens ...Stanisław Kostka Herka ...
Estr. XV-XVIII, 25, 178
Na verso k. tyt. wiersz oraz drzeworytowy herb Lipskich Grabie
NKor, 3, 124
Tytuł z żywej paginy: Krzyz Chrystvsow
5 k., 205 i.e. 206 s., 2 k. : il. ; 4°
Błędy w paginacji: zdublowane oznaczenie s. 77
Ded. wyd.: Jasnie Oswieconemu Xiązęciu Imci Kardynałowi Janowi Alexandrowi Na Lipe Lipskiemu ... / X. M. Klemens Stanisław Kostka Herka ...
Estr. XV-XVIII, 25, 178
Na verso k. tyt. wiersz oraz drzeworytowy herb Lipskich Grabie
NKor, 3, 124
Tytuł z żywej paginy: Krzyz Chrystvsow
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