Elizabeth Spiller studies how early modern attitudes towards race were connected to assumptions about the relationship between the act of reading and the nature of physical identity. As reading was ...understood to happen in and to the body, what you read could change who you were. In a culture in which learning about the world and its human boundaries came increasingly through reading, one place where histories of race and histories of books intersect is in the minds and bodies of readers. Bringing together ethnic studies, book history and historical phenomenology, this book provides a detailed case study of printed romances and works by Montalvo, Heliodorus, Amyot, Ariosto, Tasso, Cervantes, Munday, Burton, Sidney and Wroth. Reading and the History of Race traces ways in which print culture and the reading practices it encouraged, contributed to shifting understandings of racial and ethnic identity.
In the late medieval period manuscripts galore circulated in private collections and in educational libraries in the cities of the Middle East. Yet very few have left a documentary trail or have ...survived as an easily identifiable compact corpus. Writing their histories, understanding their social settings and comprehending their intellectual profiles is therefore a challenge.This book discusses the only known private book collection from pre-Ottoman Jerusalem for which we have a trail of documents. It belonged to an otherwise unknown resident, Burhān al-Dīn; after his death, his books were sold in a public auction and the list of objects sold has survived.This list – edited and translated in this volume – shows that a humble part-time reciter of the late 14th century had almost 300 books in his house, evidence that book ownership extended beyond the elite. Based on a corpus of almost fifty documents from the Ḥaram al-sharīf collection in Jerusalem, it is also possible to get a rare insight into the social world of such an individual. Finally, the book gives a unique insight into book prices as it will make available the largest such set of data for the pre-Ottoman period.
What did Wordsworth wear, and where did he walk? Who was Byron’s new mistress, and how did his marriage fare? Answers—sometimes accurate, sometimes not—were tantalizingly at the ready in the Romantic ...era, when confessional poetry, romans à clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity ? Widely recognized as a social virtue, familiarity—a feeling of emotional closeness or comforting predictability—could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling all too much.
Grand in its scope, Asian Comics dispels the myth that, outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and ...comic art research, during which he traveled to Asia at least seventy-eight times and visited many studios and workplaces, John A. Lent shows that nearly every country had a golden age of cartooning and has experienced a recent rejuvenation of the art form.
As only Japanese comics output has received close and by now voluminous scrutiny,Asian Comicstells the story of the major comics creators outside of Japan. Lent covers the nations and regions of Bangladesh, Cambodia, China, Hong Kong, India, Indonesia, Korea, Malaysia, Myanmar, Nepal, the Philippines, Singapore, Sri Lanka, Taiwan, Thailand, and Vietnam.
Organized by regions of East, Southeast, and South Asia, Asian Comics provides 178 black-and-white illustrations and detailed information on comics of sixteen countries and regions--their histories, key creators, characters, contemporary status, problems, trends, and issues. One chapter harkens back to predecessors of comics in Asia, describing scrolls, paintings, books, and puppetry with humorous tinges, primarily in China, India, Indonesia, and Japan.
The first overview of Asian comic books and magazines (both mainstream and alternative), graphic novels, newspaper comic strips and gag panels, plus cartoon/humor magazines,Asian Comicsbrims with facts, fascinating anecdotes, and interview quotes from many pioneering masters, as well as younger artists.
Funnybooks Barrier, Michael
2014., 20141128, 2014, 2014-11-27
eBook
Funnybooksis the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, "Dell Comics Are Good Comics" was more than a slogan-it was a ...simple statement of fact. Many of the stories written and drawn by people like Carl Barks(Donald Duck, Uncle Scrooge),John Stanley(Little Lulu),and Walt Kelly(Pogo)repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.
