V prispevku želim skozi deleuzovsko filmsko teorijo poiskati način, kako gledati in doživljati »nizek« žanr feministične pornografije na način, ki ni moralističen in žanru vnaša legitimnost. Ob ...primerih kratkih filmov iz švedske serije kratkih filmov Umazani dnevniki (Dirty diaries, 2009) producentke Mie Engberg revidiram zgodnjo psihoanalitično feministično filmsko teorijo in namesto analitične distance »novo podobo gledanja« mislim s pojmi bližine in dotika. Ne podajam paradigmatskih primerov feministične pornografije – primeri kratkih pornografskih filmov iz omenjene zbirke so izjemno raznoliki, a tu ne gre za liberalno-tržno načelo »za vsakogar nekaj«. Menim, da jih je pomembno gledati skupaj, in to zato, ker nas njihove linije pobega lahko potisnejo k novim antiojdipskim možnostim užitka onkraj spolne razlike.
This feminist monograph accommodates a selection of ethnographic voices pertaining to the adolescence and young adulthood of South Korean women. The work encompasses secret dimensions of female ...lives, carefully studying the realm of unexpected physical and social movements, events, bursts of energy, all entailing, to various degrees, what cultural studies and feminist theory usually think of as agency and resistance. Book tackles a notion of transgression (breaching, infringement), tries to locate and present the perceived specificities of South Korean female transgressions, and, finally, it discusses and re-affirms the position of ethnography in the intellectual projects of cultural studies after the affective turn.
Namen prispevka je pokazati dvoje. Prvič, da spolna neenakost ni nadzgodo- vinski pojav, ki se manifestira na bolj ali manj homogen način v vseh družbah ali vsaj vseh razrednih družbah, temveč ...da je pogojena s specifično obliko družbenih produk- cijskih odnosov, ki zamejujejo te družbe. Drugič, da je vprašanje spolne neenakosti, ki je samo po sebi nezvedljivo, vseeno temeljno prepleteno z razrednim vprašanjem. Teoretska podstat prispevka je marksovska kritika politične ekonomije, za empirični prikaz naše hipoteze pa se opiramo na zgodovinske vire in analizo statističnih podatkov.
The article critically reflects on Soviet cinema of 'the Thaw' through the female gaze of Larisa Shepitko and Kira Muratova. The image and role of a woman torn between the official discourse (upheld ...by the state ideology) and one created in the intimacy of the home are analysed. Moreover, the article rethinks the role of feminism in the context of Russian thought, created on a specific background as imposed in the communist idea. Unlike in the West, it is based on the essentialist idea of a binary separation of differences between the sexes, which appears schizophrenic under the pressure of the state ideology. We search for these contradictory lapses in the images of the woman as created in the specific female film language of Shepitko's Wings (Krylya, 1966) and Muratova's Brief Encounters (Korotkie vstrechi, 1967) and Long Farewells (Dolgie provody, 1971).
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Krško: spremljajoči dogodki ob kongresu ZSMS; stojnice mirovnikov, ekologov, kluba Lilit, ki se zavzema za enakopravnost žensk, pogovor z mladimi, prečrtani badge s členom 133.
Mladen Petretič, izjava o družbenih gibanjih, ki nasprotujejo represivnim metodam reševanja nasprotij v družbi. Marko Hren, mirovnik, o iniciativah mirovnikov in kulturi miru, peticija v podporo človekovim pravicam. Mojca Dobnikar o služenju vojaškega roka za ženske in enakopravnosti. Predstavnik ekološkega mladinskega gibanja v Sloveniji.- Information:- Environmentalists and pacifists’ stands at the Socialist Youth Association of the Slovenia Congress- Original language summary:
Stojnice ekologov in mirovnikov na kongresu Zveze socialistične mladine- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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