El objetivo central de la presente investigación (tesis de grado) fue crear una serie de procedimientos para la realización del análisis documental de una muestra de 40 fotografías film stills ...pertenecientes al Cine Universitario del Uruguay, utilizando un perfil de metadatos creado a partir de Dublin Core y su extensión cualificada. Las film stills (fotos fijas) son fotografías hechas con fines publicitarios en proyectos cinematográficos, televisivos y de teatro. El Cine Universitario del Uruguay es un cineclub creado en 1949 en Montevideo, que se caracteriza por proyectar películas que están fuera del circuito comercial y cuenta con un archivo y una biblioteca que están cerrados al público. Dicho archivo cuenta con un acervo estimado de 22.000 film stills, del cual se tomó la citada muestra de 40 fotografías, pertenecientes a cuatro décadas distintas del siglo XX. A las fotos seleccionadas se les realizó un tratamiento documental para el cual se utilizó una adaptación del estándar Dublin Core y Dublin Core Cualificado. Tras este proceso, se crearon procedimientos especializados, desarrollados campos por campo, para realizar el análisis documental de este género fotográfico.
Hari Sadhan Dasgupta: Short Film Maker Biswas, Moinak; Vasudevan, Ravi; Roy, Arun Kumar ...
BioScope South Asian screen studies,
06/2017, Letnik:
8, Številka:
1
Journal Article
Recenzirano
Hari Sadhan Dasgupta (1923–1996) was arguably the most significant documentary filmmaker to emerge from the circle of film aficionados, intellectuals, and writers who gathered at the Calcutta Film ...Society (and at the Indian Coffee House on Central Avenue in Calcutta) in the late 1940s and 1950s. He received institutional training in filmmaking at the film school of the University of Southern California and served Irving Pichel as observer apprentice on three films after completing his university program. He was the first among the Calcutta Film Society group to make films and went on to make 50 odd documentaries and commercials between 1948 and 1984, of which Panchthupi: A Village in West Bengal (1955), The Story of Tata Steel (1958), and Konarak (1949) have earned iconic status. He also made two feature-length fiction films Eki Ange Eto Rup (1965) and Kamallata (1969).
New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw ...cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and motion in art and entertainment since the 1850s illuminate and renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation.
Paperback versie, hardback verkrijgbaar onder het ISBN 9789089642134 Het in de jaren zeventig opkomende debat binnen de filmwetenschappen over stilstaand ('still') tegenover bewegend beeld ('moving') werd gevoed door de 'apparatus theory' en het idee van verstilde beweging door belichting. Filmische beweging was een illusie, luidde het axioma; beweging een 'ideologische invloed van het filmische apparaat'. Stilstaand beeld gold als de verborgen, zelfs verdrongen, basis voor de industriële illusie van filmische beweging. De auteurs stellen voor om af te stappen van dit verstokte 'still/moving'-debat binnen de filmstudies en zich te richten op een positievere kritiek en een meer affectieve vorm van media-archeologie.
Love University Ruckert, Felix; Hartung, Bernd
Performance research,
06/2003, Letnik:
8, Številka:
2
Journal Article
Recenzirano
Video stills and interviews by Bernd Hartung that were part of choreographer Felix Ruckert's "Love University" project, which took place in April and May 2002 in Nottingham, England, in cooperation ...with NOTT Dance Festival, are presented. Members of the company Felix Ruckert and dancers from Nottingham and surrounding areas got together for a month to study the concept of love.
The essay examines the contribution made by José Nepomuceno to the Philippine quest for independence and the raising of national consciousness. By portraying Filipino views, lives and traditions, ...Nepomuceno was instrumental in creating an imagined community in a colonial society. He created a national consciousness by writing the history of the national with his camera; films that were viewed by people from all social strata across the Islands. The films of Nepomuceno spread Tagalog language and culture, and gradually made Filipino national culture converge with Tagalog culture.
Fox 1927: A Year in Pictures Belston, Schawn; Easterla, Rob
Film history (New York, N.Y.),
01/2005, Letnik:
17, Številka:
2/3
Journal Article
Recenzirano
Belston and Easterla present a photo essay which looks at the operations of Fox Film Corporation on both the East Coast and the West Coast in 1927. They evoke the places, personnel and films of that ...year--from Tom Mix to F.W. Murnau.
This article considers the parallels that exist between Dutch genre painting of the seventeenth century and early work by American photographer Cindy Sherman. Through direct comparison of specific ...examples of works by Jan Steen, Frans van Mieris and Dirck Hals to several Untitled Film Stills by Sherman, a number of meaningful connections become evident. Beyond the striking similarities that occur in terms of theatrical presentation and visual presence, these works also share a relationship of mutual respect between artists and audiences that is enacted through the modes of popular culture, didactic potentialities and deliberately ambiguous narrative structures that leave interpretation open-ended. These images attest to a sense of affinity between artist and viewer, who partake in a shared culture of daily experience and vernacular sources.
The Museum of Modern Art closed its Film Stills Archive on Jan 12, 2002 as part of the preparation for a complete renovation of its Manhattan location. The Archive's collections were shipped to the ...Museum's Celeste Bartos Film Preservation Center in rural Hamlin PA, where it will be kept for the duration of the renovation.
During the second two decades of the twentieth century, Hollywood cinematographers drew on the conventions of portrait photography to develop their own figure-lighting strategies. Although the two ...practices relied on different kinds of technology, cinematographers retained the larger strategy of structuring their stylistic techniques according to a logic of sexual difference.
PDF
