Članek se posveča pregledu delovanja slovenskega društva za novo glasbo Muzina in ob tem obravnava pomen, ki ga je društvo imelo na oblikovanje zavesti o sodobni glasbi. Pri tem estetske koordinate ...društva povezuje s sočasnimi mednarodnimi trendi in hkrati vpenja delovanje društva v kontekst razvoja glasbe v tem obdobju na Slovenskem.
This paper examines the depiction of migrations from Kosovo and Metohija during the 1980s in cartoons published in Yugoslavia’s most prominent satirical newspaper – Jež (Hedgehog). During that time, ...readers were consistently exposed to emotionally charged drawings illustrating the departure of emigrants. What was significant in these illustrations was the wearing of the Serbian national hat, šajkača. Previously, this hat symbolized social status, representing the rural population and peasants. However, during the crisis, its significance shifted, becoming a symbol of Serbian nationality. In public life, particularly among intellectual circles, this era saw the resurgence of neo-traditionalist narratives glorifying Serbia’s past. The visual representation of these narratives can be observed in cartoons, notably from 1986 onward, coinciding with the proliferation of cartoons featuring emigrants. These constructed neo-traditionalist narratives were appropriated and utilized by Slobodan Milošević’s populist machinery as a means to maintain power. The cartoons, as a direct product of the burgeoning Serbian nationalist policy at that time, played a role in propaganda and mobilization.
One of Jakob Jež's favourite instruments is the vocal; he has therefore dedicated much of his time to the selection of textual material and its incorporation into his music. Composers' attitude ...towards literature has been changing throughout history, with the post-war avant-garde period offering many innovative solutions, which is also reflected in the vocal and instrumental music by Jakob Jež.
Radom je učinjen prikaz normativnog uređenja de lege lata kriminalističko-taktičkih radnji potjere i blokade s primjenom uređaja za prisilno zaustavljanje motornih vozila. Središnji dio rada odnosi ...se na modalitete postupanja policijskih službenika prilikom potjere i blokade (prometa) o čemu su de lege ferenda načinjeni shematski prikazi i fotoprikazi. Prikazi i prijedlozi su izrađeni temeljem pravila kriminalističke taktike, te analizom situacijskih vježbi koje su izvedene na poligonu Policijske akademije. Rad je popraćen odabranom sudskom praksom Vrhovnog suda Republike Hrvatske (VS RH), županijskih i prekršajnih sudova, te sa sudskom praksom Europskog suda za ljudska prava (ESLJP) prema članku 2. Europske konvencije za zaštitu ljudskih prava i temeljnih sloboda.
Provider: - Institution: - Data provided by Europeana Collections- Cette biographie n'est accessible qu'à partir de postes de consultation d'organismes abonnés au Grove Music Online.- Biographie de ...Jakob Jež- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Šezdesete i sedamdesete godine XIX. stoljeća vrijeme su važnih političkih promjena u europskoj politici, koje su se odrazile i na političke prilike u Hrvatskoj. U kratkom su se vremenu izredali: ...završetak desetgodišnjeg Bachovog apsolutizma, obnova političkog života, sklapanje Austro – ugarske i Hrvatsko - ugarske nagodbe, pojava političkih stranaka: Narodne i Samostalne narodne stranke, Unionističke stranke i Stranke prava, te su i započele njihove borbe u Hrvatskom saboru. U tom će razdoblju u hrvatskoj politici djelovati pojedinci čiji je život dijelom bio vezan uz Varaždin i Varaždinsku županiju, npr. hrvatski banovi Levin Rauch i Koloman Bedeković. Hrvatski se sabor u tom razdoblju sazivao sedam puta (1861., 1865., 1868., 1871., 1872., 1875. i 1878. godine), a varaždinski saborski zastupnici bili su unionisti: Mijo Koščec, Koloman Bedeković, Ladislav Kukuljević, August Lukinec, Maksim Maller,Vladoje Perko; narodnjaci: Vjekoslav Zadravec, Dragutin Pust, Ivan Nep. Jagić (2 mandata), Dragutin Antolek – Orešek i Ivan Nep. Petrović, te Antun Melinčević (Samostalna narodna stranka). Godine 1873. u Varaždinu su bili održani izbori za Gradsko zastupstvo, a od dvadeset i četiri zastupnika, dvadeset ih je bilo iz Narodne stranke. Još jedni izbori održali su se 1880. godine, nakon što je dotadašnje Gradsko zastupstvo kolektivno odstupilo, a u novom su ponovno u većini bili narodnjaci. Gradonačelnici Varaždina u tom razdoblju bili su: Antun Melinčević (1861.-1875.), Dragutin Pust (1876.-1878.) i Ivan Nepomuk Petrović (1879.-1881.). U ta dva desetljeća Varaždin je dobio reprezentativnu zgradu Gradskog kazališta (1873.), novu zgradu Gimnazije (1870.), prvo Vatrogasno društvo u Hrvatskoj (1864.), u gradu je počelo djelovati hrvatsko pjevačko društvo “Vila“ (1876.). U razdoblju od 1867. do 1877. izlazio je prvi varaždinski tjednik Pučki prijatelj, kojeg je pokrenuo Bartol Francelj, a izašao je i jedan broj prvog hrvatskog satiričkog lista Podravski jež Dragutina Antoleka – Orešeka. Varaždinski su intelektualci, predvođeni gimnazijskim profesorom Josipom Križanom održavali niz predavanja za građane, a u sklopu toga se prvi put obilježila i 200 – godišnjica pogibije Petra Zrinskog i Frana Krste Frankopana 1871. godine. Prema popisu stanovnika 1880. godine u Varaždinu je živjelo 11 445 stanovnika.
Istražena je anatomska građa kostiju stražnje noge u tri odrasla ježa (Erinaceus europaeus L.). Nedostajala je spina iliaca ventralis caudalis. Symphysis pelvis je bila oblikovana od symphysis pubis, ...a ustanovljen je interpubični ligament. Prosječni Vialleton kut iznosio je 8o. Prosječna udaljenost između središta acetabuluma i bočne kvrge iznosila je 39,2 mm, a prosječna udaljenost između središta acetabuluma i sjedne kvrge bila je 13,8 mm. Na bedrenoj kosti su ustanovljena tri trochantera. Goljenica i lisnjača su bile spojene u distalnoj polovici. Utvrđeno je 7 tarzalnih kostiju, a stopalo je bilo potpuno s pet prstiju.
Provider: Czech digital library/Česká digitální knihovna - Institution: Academy of Sciences Library/Knihovna Akademie věd ČR - Data provided by Europeana Collections- The paper has been worked out ...based on the investigation into a museum collection at the Wallachian Open-Air Museum, including documents from Karel Jež´s estates replenished with knowledge
from archival documents and literature. As resulting from these, the
brush-making workshop of Karel Jež (1885-1959) from Lázy (District of Vsetín) is an example of a rural workshop operated by a small-scale craftsman in the first half of the 20th century. The handicraft is for him a welcome opportunity of earning some extra
money to farming which is the main source of livelihood for the whole family. In the introduction, the study informs about the history
of brush making in Moravia and Wallachia beginning with the19th
century. It presents Karel Jež´s family situation, and it characterizes
their source of livelihood consisting in arable and cattle farming.
Furthermore, it focusses on the operation of brush-making handicraft, description of his workshop, production techniques, materials, types of goods, and way of selling. It draws the information mostly from Jež´s notebooks where he wrote down
particular orders. He did not have any shop and he did not produce for other distributors, but everything that he made he sold either at
home or at markets and fairs. He mostly used domestic raw
materials which his customers brought to him, as substantiated by
numerous records in his diaries. The complete equipment of the
workshop offers a unique opportunity of presenting it within a long-term exhibition of the Wallachian Open-Air Museum.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Jez Butterworth is the most critically acclaimed and commercially successful new British dramatist of the 21st century: his acclaimed play Jerusalem has had extended runs in the West End and on ...Broadway. This book is the first to examine Butterworth's writings for stage and film and to identify how and why his work appeals so widely and profoundly. It examines the way that he weaves suspenseful stories of eccentric outsiders, whose adventures echo widespread contemporary social anxieties, and involve surprising expressions of both violence and generosity. This book reveals how Butterworth unearths the strange forms of wildness and defiance lurking in the depths and at the edges of England: where unpredictable outbursts of humour highlight the intensity of life, and characters discover links between their haunting past and the uncertainties of the present, to create a meaningful future. Supplemented by essays from James D. Balestrieri and Elisabeth Angel-Perez, this is a clear and detailed source of reference for a new generation of theatre audiences, practitioners and directors who wish to explore the work of this seminal dramatist.
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