Research in cognitive science over the last 30 years shows much of what we know about culture in the business world is based on myth, wishful thinking, outdated science, or is just plain wrong. This ...is why culture shaping and change programs in organizations often amount to little more than sloganeering with minimal impact on the lived experience of employees.
This book bridges the gap between the latest research on cognitive science and culture, providing a valuable guide for change leaders, CEOs, and practitioners on how to sustainably work with and change this important resource. It answers many of the major questions that have plagued culture work, such as:
Why so many CEOs and management consultants preach culture change when so few culture interventions actually succeed
Why CEOs persist in believing "culture starts at the top" when virtually no research in anthropology supports that claim
Why most culture shaping approaches have no answer for how to effect culture in global companies
Why culture doesn't cause us to do anything, yet we persist in believing that somehow it does
Why so many culture-shaping projects focus on corporate values despite the fact modern science shows why changing personal values is exceedingly difficult
What we are learning about culture from the last 30 years of cognitive science gives us the foundation for far more impactful and sustainable interventions than have been possible to date. This book explains why, showing how everyday business practices well beyond HR are key to culture change. Why? Because the brain's synaptic plasticity can only be altered through new, sustained and widespread organizational habits and routines. This groundbreaking, practical guide will show you finally how to realize the full power of culture as a transformational, empowering and competitive resource.
Russian Conservatism examines the history of Russian conservative thought from the beginning of the nineteenth century to the present. Robinson charts the contributions made by philosophers, ...politicians, and others during the Imperial, Soviet, and post-Soviet periods. Looking at cultural, political, and social-economic conservatism in Russia, Russian Conservatism demonstrates that such ideas are helpful in interpreting Russia's present as well as its past and will be influential in shaping Russia's future, for better or for worse, in the years to come.
This revised edition of a now classic text includes a new introduction by Henry Jenkins, explaining ‘Why Fiske Still Matters’ for today’s students, followed by a discussion between former Fiske ...students Kevin Glynn, Jonathan Gray, and Pamela Wilson on the theme of ‘Reading Fiske and Understanding the Popular’. Both underline the continuing relevance of this foundational text in the study of popular culture.
What is popular culture? How does it differ from mass culture? And what do popular "texts" reveal about class, race, and gender dynamics in a society? John Fiske answers these and a host of other questions in Understanding Popular Culture .
When it was first written, Understanding Popular Culture took a groundbreaking approach to studying such cultural artifacts as jeans, shopping malls, tabloid newspapers, and TV game shows, which remains relevant today. Fiske differentiates between mass culture – the cultural "products" put out by an industrialized, capitalist society – and popular culture – the ways in which people use, abuse, and subvert these products to create their own meanings and messages. Rather than focusing on mass culture’s attempts to dominate and homogenize, he prefers to look at (and revel in) popular culture’s evasions and manipulations of these attempts.
Designed as a companion to Reading the Popular , Understanding Popular Culture presents a radically different theory of what it means for culture to be popular: that it is, literally, of the people. It is not imposed on them, it is created by them, and its pleasures and meanings reflect popular tastes and concerns – and a rejection of those fostered by mass culture. With wit, clarity, and insight, Professor Fiske debunks the myth of the mindless mass audience, and demonstrates that, in myriad ways, popular culture thrives because that audience is more aware than anyone guesses.
@contents: Selected Contents: Acknowledgements Why Fiske Still Matters Henry Jenkins Reading Fiske and Understanding the Popular Kevin Glynn, Jonathan Gray and Pamela Wilson Notes on Contributors Preface Chapter 1 The Jeaning of America Chapter 2 Commodities and Culture Chapter 3 Productive Pleasures Chapter 4 Offensive Bodies and Carnival Pleasures Chapter 5 Popular Texts Chapter 6 Popular Discrimination Chapter 7 Politics References Index
John Fiske is Professor Emeritus in the Department of Communication Arts at the University of Wisconsin-Madison, USA.
Celem głównym niniejszego artykułu jest kulturoznawcza analiza strategii malarskiej Aleksieja Wenecjanowa w odniesieniu do zagadnienia tematu chłopskiego w malarstwie. Problematyka ta wiąże się ...z kolei z określonym sposobem posługiwania się klasycyzmem. Klasycyzm interpretowany jest tutaj nie tylko jako pewien nurt stylistyczny bądź epoka w dziejach sztuki, lecz również jako zestaw reguł i wartości, które przynależą do wyposażenia umysłowego działającego artysty. Celem pobocznym jest wskazanie na inne przykłady analogicznych strategii zaczerpniętych z dziejów europejskiej kultury artystycznej, wskazujących na istnienie pewnej ciągłości intelektualnej w historii kultury europejskiej.
DROGA DO DOMU BOBULA, Joanna
Politeja,
01/2023
83
Journal Article
Recenzirano
Along with gaining independence, in Ukraine festival tendencies were revived, including theatrical art: the exchange of experiences has been intensified, tendencies to present social- and historical ...topics forbidden during the USSR times along with the search for new means of bringing theatrical art closer to the audience became more visible and prominent. In the early 1990s, festival movement became key to Ukrainian theatre’s revival, enabling its adaptation to the new socio-political, economic and cultural reality. The aim of the article is to present the GogolFest festival in the context of various directions of the festival movement after 1991. The idea and initiative to create this multidisciplinary project came from the director, producer and artistic manager of the ‘Dach’ Center for Contemporary Art. As a result, activities of GogolFest and its evolution have a broader culture-forming scope: through the integration of various fields of art and creators, they aim at modernizing Ukraine in the space of art. This, in turn, is the basic condition of forming or increasing the awareness and conducting social discussion on current and historical topics brought by the reality of contemporary Ukraine.
Dość dużą popularnością na współczesnych kursach języka polskiego cieszy się zintegrowane nauczanie języka i kultury, o czym świadczą liczne publikacje, które służą właśnie temu celowi. W niniejszym ...artykule omawiamy założenia projektu Lubimy Lublin, który także łączy testowanie i rozwijanie sprawności komunikacyjnych z przekazywaniem wiedzy o lokalnej kulturze. Projekt odznacza się multimodalnym charakterem, obejmując filmy oraz związane z nimi zadania językowe o bogatej szacie graficznej. Projekt jest silnie zakorzeniony w metodyce nauczania języka polskiego jako obcego, a zarazem może dostarczać inspiracji do opracowywania kolejnych filmowo-tekstowych lekcji, które będą służyły nauczaniu języka i kultury.
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