The historical timeframe of the present monograph ('Five Centuries of Writing Poetry in a Military Uniform and Against it 1515-1918')begins at around 1500, the period in which most of the Slovenian ...ethnic territory was taken over by the Habsburgs and ends with the defeat of Austro-Hungary during the First World War between 1914–1918. This stretch of time is particularly marked by the first printed lines of the Slovenian rebel poem written during the pan-Slovenian peasant uprising of 1515, which is even older than Trubar's Abecedary and Catechism (1550), and the poem depicting the tragic Judenburg mutiny of 1917 for which the leader of the revolt, Anton Hafner, paid with his life.
The monograph Iz kaosa kozmos (From Chaos to Cosmos) and the first two books from the Poezija konteksta (Poetry of Context) series explore the poetry created during the period of the Slovenian ...resistance movement and the related revolution during the Second World War (1941-1945). The third and fourth book analyze the poetry created by Slovenians who in the Second World War were forcefully drafted into the German army~Slovenians who lived in the period of the Italian occupation of the Slovenian territory under the 1920 Treaty of Rapallo~and those who were mobilized into the Italian army during WWII.
Cette thèse mène une enquête sur la parution d'un certain nombre de décors à sujet littéraire dans des demeures aristocratiques pendant la période qui va du règne de Henri IV jusqu'aux débuts de la ...Régence d'Anne d'Autriche, notamment pendant les années 1620 et 1630. La littérature critique a déjà montré l'importance de certains sujets tirés des œuvres littéraires dans les commandes de Henri IV et de Marie de Médicis : la "Franciade", les "Éthiopiques," "Jérusalem Délivrée". le "Pastor Fido". Il s'agit. pour la plupart, de sujets qui jouiront ensuite d'une fortune particulière chez la noblesse. soit la plus proche à la couronne que la plus "dégagée" et éloignée de la cour. Pendant les mêmes années, avec "L 'Astrée", le "Don Quichotte" et bien d'autres, le roman commençait à s’imposer en genre autonome, destiné à devenir un véritable lieu de représentation mais aussi de formation e de réflexion de société et de la culture de l'Europe moderne. En effet aussi les héros épiques. qui s'imposaient en peinture mais même sur scène - en protagonistes des ballets de cour, des tragédies et des tragicomédies - étaient de plus en plus lus interprétés sous une lumière romanesque, Les arts figuratifs participaient donc. de leur façon, à cette évolution. qui représente l'un des nœuds fondamentales de notre histoire culturelle. En partant du cas spécifique des décors à sujet littéraire. la restitution des différentes commandes. des différentes façon de "lire" ces récit littéraires e de les mettre en images. ainsi que les rapports entre mécénat artistique. mécénat littéraire et. plus en général, les liens entre culture et peinture. sont donc but ultime de ce travail.
This thesis investigates a number of pictorial decorations with literary subject in French aristocratic houses during the period from the reign of Henry IV to the beginning of the regency of Anne of Austria, especially during the 1620's and 1630·s. Critical literature has shown the important reference to the literature in pictorial patronage of Henry IV and Marie de 'Medici: from the Franciade to the Ethiopiques, from the Jérusalem Dclivercd, to the Pastor Fido. In a larger part, those subjects enjoyed a great fortune also in aristocratic patronage of crown ministers as weil as of some rebel "frondeur". During the same years, with the publication of Honoré dUrfé's .Astrée, Cervantes ' Don Quixote and many others, the novel began to impose itself as autonomous genre, to becorne an important instrument of representation but also a way of training and reflection on society and culture of modern Europe. Indeed as the epic heroes. who appeared in painting but even on stage - as protagonists of court ballets, tragedies and tragicomedies - were increasingly read and interprete in a "novel' light. So, figurative arts were involved - in their way - to this development, which is one of the nodal points of our cultural history. Starting from the specific case sets a literary subject, the ultirnate goals of this work are the analysis of the different cornmands, the different way to "read" these "histories" and to translate them in images, and the relationships between artistic patronage. literarv patronage and, in general, the links between culture and painting.
Provider: - Institution: - Data provided by Europeana Collections- 712 pp.- Reviewer: dr hab. Ewa Głębicka, prof. IBL PAN; dr hab. Jerzy Kandziora, prof. IBL PAN- 712 s.- Recenzenci naukowi: dr hab. ...Ewa Głębicka, prof. IBL PAN; dr hab. Jerzy Kandziora, prof. IBL PAN- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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