Expanding media histories Bechmann Pedersen, Sune; Cronqvist, Marie; Holgersson, Ulrika
11/2023
eBook, Book
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Contemporary media history is a rapidly growing field that extends far beyond traditional studies of technology or institutions such as radio, film, and television. This volume expands the scope ...further still to analyse ephemeral, mundane phenomena long overlooked by media historiography. In eight original essays, the volume demonstrates the strengths of a broad concept of the media. The first part centres on media systems and media events, with studies of spiritist séances, Gallup polls, the mediated persona of Kaiser Wilhelm II, and the burial of a Swedish statesman in 1915. The second part focuses on media materialities and infrastructure such as art replicas, ring binders, tourist guidebooks, and media technology in the IKEA home. Aimed at students and academics alike, Expanding Media Histories offers new empirical research, which engages critically with key concepts in media history today.
The 2018 Skripal poisonings prompted the heavy securitisation of UK-Russian relations. Despite the ensuing tight coordination between the Russian government and state-aligned television, this article ...argues that in today’s mediatised environment – in which social and political activities fuse inextricably with their own mediation – even non-democracies must cope with the shaping of global communications by media logics and related market imperatives. With a range of media actors responding to events, and to each other, on multiple digital platforms, no state could assert full narrative control over the Skripal incident. Counterintuitively, Russian journalists’ journalistic agency was enhanced by mediatisation processes: their state sponsors, seeking to instrumentalise reporting, delegated agency to journalists more attuned to such processes; yet commercial imperatives obliged them to perform independence and professional credibility. These competing forms of agency clashed with one another, and with that of the audiences engaging in real time with the journalists’ outputs, ultimately undermining the Russian state’s efforts to harness news coverage to its political and security goals. The article concludes that in today’s global communications environment, mediatisation substantially constrains the ability of non-democracies to micro-manage journalists’ treatment of major events relating to national security.
The Qur’an Burnings of SIAN Marius Linge; Sindre Bangstad
Temenos,
06/2024, Letnik:
60, Številka:
1
Journal Article
Recenzirano
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Denmark, Sweden, and Norway have in recent years seen a wave of Qur’an burnings, a subset of Qur’an desecration, involving largely non-religious fringe actors. Desecrations of the Qur’an are nothing ...new, but their mode of articulation in the present requires attention to both context and the actors involved. In this article we examine the Qur’an-burning events of the Norwegian organization Stop the Islamisation of Norway (SIAN). The article draws on media events theory, paying attention to how the symbolic and ritual dimensions of such spectacular mediated events generate both cohesion and conflict among globalized audiences. Informed by both on- and offline ethnographic fieldwork, we explore the mediated ritualization of smaller-scale urban events involving staged Qur’an burnings by this far-right fringe group in Norway in recent years. We demonstrate how a relatively small and marginal far-right political actor succeeds in being foregrounded by the media, creating polarization, capturing free speech, and racializing Muslims by desecrating the Qur’an.
The live character of suddenly breaking global media events along with the massive volume of digital traces they produce pose considerable challenges for research in the current communication ...environment. In this methodological article, we use the 2019 Christchurch mosque attacks as an empirical context for methodological reflection. We suggest a new type of ethnographic investigation of events—a digital team ethnography augmented by computational methods for studying media events. We show how “fieldwork” and the related “field” are constructed as part of the empirical workflow and present a four-phase model to structure the research process: (1) research readiness, (2) mobilization of fieldwork, (3) exploring the computationally organized ethnographic field, and (4) deep dives that enable thick description on social media. We conclude with a reflection on the benefits and limitations of the proposed methodological approach for the study of global media events.
Two studies examined how memories are formed around championship sporting events, which we classify as media events. The first study employed a test-retest methodology to assess how fans of a sport ...recall a championship sporting event. The second study examined how fans of specific sports teams recalled two championship sporting events in which their team either won or lost. Of particular interest was the emergence of a collective memory within fan communities. We assessed memory for the event itself (event memory), with an emphasis on the emergence of a collective memory, and memory for the context in which one experienced the event (personal circumstance memory). In contrast to fans of a sport more generally, fans of a particular team recalled events involving their team with detail, converged on collective memories, and provided personal circumstance memories that met the criteria for flashbulb memories. We discuss these results in the context of social identities and the elements involved in narratives of media events. Different types of fandom, our measure of social identity, uniquely influenced the collective memories formed for essential and ancillary elements of narratives surrounding championship sporting events.
In this article, we investigate the challenge of hybrid media events of terrorist violence for journalism and analyse how news organizations manage epistemic modes in such events. Epistemic modes ...refer to different ways of knowing, which are managed by newsrooms through journalistic and editorial practices. We draw from an empirical study of terrorism-related news production in the Finnish Broadcasting Company (Yle). Our data consist of thematic interviews (N = 33) with Yle journalists, producers, and content managers and newsroom observations (14 days) conducted at Yle. The study investigates the data through a grounded theory approach with the aim of creating a theoretical understanding of knowledge production in hybrid media events. The results are drawn from a qualitative content analysis and close reading of the interview data, with the other data sets informing the core analysis. The article identifies seven epistemic modes of relevance to news production in hybrid media events: not-knowing, description, rumoring, witnessing, emotion, analysing and perpetrating. The modes are analysed in relation to three dimensions of crisis reporting: immediate sense-making, ritualizing and transformation back to normalcy. The article finds that although particular epistemic modes are typical to certain dimensions of reporting hybrid, disruptive media events, both the modes and the dimensions also are also merged and intermixed. This condition together with growing amounts of problematic epistemic modes of rumoring, emotion and perpetrating challenge journalists’ epistemic authority in reporting hybrid media events involving terrorist violence.
By focusing on the relationship between history and media in relation, on the one hand, to the acceleration of history induced by media and, on the other, to the circular relationship between event, ...historical narration, media representation and context of reception, the article analyzes the events that revolved between 1992 and 1994 around Rodney King (the beating and the Los Angeles riots) and O. J. Simpson (the trial for multiple murders) in their cultural and media reception between 2016 and 2017. A series of texts that address these events in the context of the birth and affirmation of the Black Lives Matter movement are analyzed. This inquiry makes it possible to focus on crucial dynamics in the relationship between event-history-narratives as well as between memory and activism in the contemporary hypermediated era.
The updating of media event theory for the digital age has been underway for some time, and several researchers have pointed out that the complexity of the hybrid media environment poses a challenge ...when it comes to understanding how media events in the present digital context ritually create belonging. In this article, we examine violent media events as hybrid phenomena and discuss their ritual workings in the present digital media environment. We apply what we call the 5 A’s – actors, affordances, attention, affect, and acceleration – as key analytical tools to empirically study such events. We also develop the concept of hybridity in relation to media events by proposing three auxiliary A’s: assemblage, amplification, and accumulation. Building on our earlier work, we call for more analytical consideration of the ambivalences in the ritual constructions of belonging (and non-belonging) in such violent events. We use the Christchurch massacre of 2019 as a case study to illustrate these conceptual developments.
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