... Martin Scorcese's The Last Temptation of Christ (1988) and Mel Gibson's The Passion of the Christ (2004) are paired in Grace's essay on "the sacrificial hagiopic," which is also her most ...theologically substantial chapter. Missing, for instance, is the 1932 classic Rain, with Walter Huston's powerful portrayal of a flawed missionary, as well as / Heard the Owl Call My Name (1973) which features Dean Jagger's wise Anglican bishop, and The End of the Spear (2005), a testimonial to the dedication of lay Christian missionaries.
A mildly perverse consanguinity, one's enjoyment of ostentatiously histrionic villainy is an aggregate of intertwining pleasures, including: (1) admiration for an actor's technical prowess; (2) ...delight in a film's mobilized formal antipathy between theatrical and illusionist performance styles; and most important (3) the satisfaction derived from entering into a virtual performative contract as an admirer of the art of villainy.1 It's the Pictures That Got Small: Melodramatic Performance As the authors of the Production Code worried, the enthusiasm for and interest in the film actors and actresses, developed beyond anything of the sort in history, makes the audience sympathetic toward the characters they portray and the stories in which they figure. While Jonas Barish reminds us that biases against acting are specific to their respective sociohistoric emanations, all of the examples cited here share an underlying affiliation between theatricality and falsity.\n In the villain's theater of cruelty, nothing could be more pleasing than a good murder, and each of us are actors whose moral noises are only ever the articulations of approval.
Kao prilog istraživanju prehrane osječkih srednjoškolaca u razdoblju između dva svjetska rata autor donosi transkripciju jelovnika Đačke menze u Osijeku. Jelovnici donose podatke o svakodnevnoj ...prehrani korisnika srednjoškolske menze (ručak i večera) od početka rujna 1926. do kraja travnja 1927. godine. Transkribirana građa se čuva u Državnom arhivu u Osijeku u ostavštini Ivana Medveda koji tijekom dvadesetih godina 20. stoljeća bio voditelj Đačke menze u Osijeku.
Rob Medved: Early in my career, I launched products with my business partner Frank Cannella, which gave me first-hand knowledge of the various business factors and decisions a marketer faces. That ...foundation served me well as it shaped my perspective on managing a DRTV media agency and how we operate.
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