Althouhg he was a Benedictine monk,Mavro Vetranović (1482 − 1576) included all important segments of Dubrovnik’ life in the sixteenth century in his writings on the conceptual bacground of Christian ...Renaissance. Writing of the contemporary life in his town for over seventy years, he wanted to comply the life of his contemporaries with strict principles of Christian morals, which were not always respected by the citizens of Dubrovnik. These efforts are the reflect of Christian Renaissance, whose aim was to harmonize the aspirations toward secular culture and life pleasures to the spiritual needs, reminding people of soul salvation, because, during the epoch of Renaisaance, literature was connected to medieval conception of the world which in some works was uniting pious content with moral lesson and forms of new literature. Although Vetranović’s poetic work has predominantly religious character, it maintained its relations to reality as a kind of testimony to the culture, life, histoical events and everyday and private life in Dubrovnik. Vetranović’s secular works (poetry, three secular dramas and satirical and occasional poems and epistles), as well as those with religious themes (religious poems and translations of psalms, religious-philosophical epos Pelegrin and five pious dramas with the themes from Old and New Testaments) contain life realiae relating to the poet’s view of world, epoch and human being. The dissertation should show how the entire work of Mavro Vetranović reflects the time in which the poet wrote, because it hasn’t yet been percieved the relations of his work to reality, and that is one of its most significant features. Detailed analysis of Vetranović’s work in the light of Christian Renaissance poetics which differs from the normative poetics of Renaissance as a cultural revival, should show how from the template with a moral lesson poet acquires a literary work that becomes a testimony of that time life. The basic hypotheses are: – in the eclogues (with pastoral and antique themes) beyond the basic plot should reckognized the implications related to everyday life in Dubrovnik; − in the religious-meditative poems, which are at the most in poet’s creative work, there is much of sincere religiousness and personal feelings and thoughts about sin, death, repentance, injustice and the sence of life. These are the everyday dilemmas of that time man who faces substantial issues of life and death. Those possibilities of Vetranović’s poetic expression can become apparent fully in these poems; – in social and political satirical poems he condemns drawbacks of life in Dubrovnik, not sparing anyone: judges, merchants, priests, women, as well as his opponents, and with indignation sings of enemies of the Republic of Dubrovnik, supporting its government policies in the preserving of freedom; − in the occasional poetry can be found valuable historical and literary facts on contemporary writers and their works; – in unfinished religious-meditative epos Pelegrin can be noticed different aspects of real world experience, human being and poet’s time, as well as the autobiographical reminiscences and − secular elements are included in five pious dramas with themes from the Old and New Testaments because biblical content should be closer to Renaissance spectators owing to everyday life illustrations in which people can recognize themselves. The basic method to prove these hypotheses will be comparative analysis of the entire Vetranović’s poetic work and his models. Analysis of all elements of poet’s work will show that he followed the tie he lived in, while synthesis will prove versatile connectivity of motifs from life in Dubrovnik in the sixteenth century. By diversity of motifs which are worked out and by ampliness of its content, Vetranović’s opus is shown as a peculiar document of the poet’s time and testifies that author had a critical attitude towards epoch he lived in.
Iako je bio benediktinski kaluđer, Mavro Vetranović (1482 – 1576) je u svojim delima na idejnim osnovama hrišćanske renesanse prikazao sve važne segmente dubrovačkog života u šesnaestom veku. Pišući o savremenim tokovima života u renesansnom Dubrovniku tokom više od sedamdeset godina, želeo je da život svojih savremenika uskladi sa strogim načelima hrišćanskog morala koja Dubrovčani nisu uvek poštovali. Ta nastojanja odraz su hrišćanske renesanse čiji je cilj bio da se težnja ka svetovnoj kulturi i životnim zadovoljstvima uskladi sa duhovnim potrebama i čovek podseti na brigu za spas duše jer je tokom renesanse u književnosti bilo vezivanja za srednjovekovno shvatanje sveta koje je u delima spajalo pobožnu sadržinu sa moralnom poukom i oblike nove književnosti. Iako je Vetranovićevo pesničko delo pretežno religioznog karaktera, održalo je vezu sa realnošću kao svojevrsno svedočanstvo o kulturi, životu, istorijskim događajima, svakodnevici i privatnom životu u Gradu. U Vetranovićevim svetovnim delima (poeziji, trima svetovnim dramama, satiričnim i prigodnim pesmama i poslanicama), kao i onima sa religioznom tematikom (religioznim pesmama i prepevima psalama, religioznorefleksivnom epu Pelegrin i pet pobožnih drama sa temama iz Starog i Novog zaveta) ima životnih realija koje se odnose na pesnikov doživljaj sveta, vremena i čoveka. Disertacija treba da pokaže kako celokupno delo Mavra Vetranovića odslikava doba u kojem je pesnik živeo i stvarao jer još uvek nije celovito sagledan odnos toga dela prema stvarnosti, a to je jedna od njegovih najznačajnijih odlika. Taj odnos prati poetiku hrišćanske renesanse jer pesnik nastoji da težnju renesansnog čoveka ka svetovnoj kulturi i životnim zadovoljstvima uskladi sa njegovim duhovnim potrebama i da ga podseti na brigu za spas duše.Istovremeno, na kulturnoistorijskom planu, vidi se odnos između književnosti čiji je cilj da pouči i pesničkih sloboda renesanse. Podrobna analiza Vetranovićevog dela u svetlu poetike hrišćanske renesanse, koja se razlikuje od normativne poetike renesanse kao kulturnog preporoda, treba da pokaže kako pesnik od hrišćanskog predloška sa moralnom poukom dolazi do književnog dela koje postaje svedočanstvo o tadašnjem životu. Osnovne hipoteze su: – u eklogama (sa pastirskom i antičkom tematikom) ispod osnovne radnje treba da se raspozna dublji smisao, vezan za svakodnevni život u Dubrovniku; − u religioznorefleksivnim pesmama, kojih je najviše u pesnikovom stvaralaštvu ima mnogo pesnikove iskrene pobožnosti i ličnih osećanja i razmišljanja o grehu,smrti, kajanju, nepravdi i smislu života. To su svakodnevne dileme čoveka toga vremena koji se suočava sa suštinskim pitanjima o životu i smrti. U ovoj poeziji najbolje se vide mogućnosti Vetranovićevog pesničkog izraza; – u društvenoj i političkoj satiričnoj poeziji osuđuje mane života u Dubrovniku ne štedeći nikoga: sudije, trgovce, sveštenike, žene, kao ni svoje protivnike, a sa ogorčenjem peva o neprijateljima Dubrovačke Republike, podržavajući politiku njene vlade u očuvanju slobode Grada; - u prigodnoj poeziji mogu se naći dragoceni književnoistorijski podaci o savremenim piscima i njihovim delima; - u nedovršenom religioznorefleksivnom epu Pelegrin mogu se uočiti razni vidovi realnog doživljaja sveta, čoveka i pesnikovog vremena i autobiografske reminiscencije i - u pet pobožnih drama sa temama iz Starog i Novog zaveta uneseni su svetovni elementi da bi se biblijski sadržaj približio renesansnim gledaocima ilustracijama iz svakodnevnog života u kojima su se oni mogli prepoznavati. Osnovni metod da se dokažu iznete hipoteze biće komparativistička analiza celokupnog Vetranovićevog dela i njegovih uzora. Ona će pokazati da pesnikovo stvaralaštvo prati doba u kojem je živeo, dok će se sintezom dokazati svestrana povezanost motiva iz dubrovačkog života u šesnaestom veku. Raznovrsnošću obrađenih motiva i obimnošću sadržaja Vetranovićevo delo pokazalo se kao svojevrsni dokumenat o životu u Dubrovniku pesnikovog doba i svedoči da je prema tom vremenu autor imao kritički odnos. Ključne reči: Vetranović, pesništvo, Dubrovnik, hrišćanska renesansa, svakodnevni život. Naučna oblast: srpskohrvatska književnost XVI veka.
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