The modern era has many characteristics that not only connect it with the previous historical stages, but also emphasize its features in the general historical and cultural process. The artistic and ...aesthetic features of recreating the spatial-temporal characteristics of a mobile, constantly changing era in modern fine arts should be emphasized. The article treats the concept of temporal-spatial definition in the plastic arts by means of philosophical thought expressed by researchers in the cultural process of the epochs. Attention is also paid to the numerous means of portraying, the artistic techniques used in the art of painting in the context of the theme of space and time. The proposed material analyzes the mental and social conditions in which a new generation of artists of the Republic of Moldova — Valeriu and Ion Jabinschi, was formed, who in a special way perceive and picturesquely reflect the space and time in our fast-moving epoch. Keywords: time, painting, plastic art, space, Valeriu Jabinschi, Ion Jabinschi
En la actualidad, existen diferentes recursos para trabajar la educación ambiental en el aula. El arte es uno de ellos y cuenta con un potencial nada despreciable. Como artistas y pedagogos hemos ...acercado el arte ambiental a las escuelas y hemos formado al profesorado durante estos últimos años con la ambición de remover conciencias y fomentar la empatía hacia el medio natural. En este artículo, recogemos nuestras bases teóricas y nuestro pensamiento en dicho ámbito, al mismo tiempo que planteamos unas reflexiones a modo de conclusión, basándonos en un sondeo realizado entre los participantes de los talleres que fueron impartidos. Estamos convencidos de la capacidad del arte para ayudar en los desafíos ambientales y, también, de la necesidad de que el arte juegue un papel más importante dentro de la educación obligatoria.
The article follows Max Weber's Comprehensive Sociology and uses the hermeneutic and iconological analysis sociological methods applied to plastic works (painting and sculpture), significant and ...representative of modern and late modern art. Starting from these theoretical and methodological bases, it pursues three specific objectives: to analyze the construction of space in plastic art, to verify how this theme has evolved in artistic practices from the first modernity to the second and to verify the way in which the complementary visual language the conceptual of contemporary sociological theory. In this regard, the analysis and interpretation of the eleven selected works reveals three important consequences of the modern influence on space, gradually emptied of meaning and replaced by non-places: its conversion into merchandise, its loss of solidity and stability and the confusion that occurs in it between reality and its representation. Consequently, the implicit content converges with the essential postulates of the sociologists who have approached the subject of space, although it goes further because the foray into the iconographic hermeneutics of these works puts an image to the conceptual theoretical discourses of the sociologists, in a way that visual language complements and enriches, with more emotional and sensitive nuances. Therefore, our discipline begins to overcome a traditional deficit, in that it moves from the essential rationality that structures its origin and turns towards a greater coupling of the emotional and sensitive social plane.
Evanescence: Time in Modern Plastic Art Roche Cárcel, Juan Antonio; Carretero Pasín, Ángel Enrique
Fudan journal of the humanities and social sciences,
12/2020, Letnik:
13, Številka:
4
Journal Article
The Article follows the trail of Max Weber’s comprehensive sociology and uses the hermeneutic and iconological analysis methods applied to significant contemporary plastic art works (painting and ...sculpture) which are representative of modern and late modern art. Starting from these theoretical and methodological bases, it pursues three specific objectives: (a) to analyze the construction of Time in plastic art, (b) to verify how this theme has evolved in artistic practices from the first modernity to the second and (c) to verify the way in which the complementary visual language the conceptual of contemporary sociological theory. In this regard, our paper provides evidence that the selected works prioritize a kind of temporality determined by the logic of capitalist industrial modernity. It likewise becomes obvious that time—focused on an accelerated and instantaneous omnipresent—lacks both an origin and a
telos
; it has neither a past nor a future and, in parallel, a gap has opened between the time of natural life and the artificial one, as well as between space and time, which is only transiently bridged at the imaginary level of art. Finally, the experience of time has been emptied, in such a way that the latter has lost some of its solidity and its sense of permanence, while the contingent, the fleeting and the ephemeral now occupy in its place.
En Christo and Jeanne-Claude se aprecia un salto conceptual de las primeras obras a los últimos proyectos. Vamos a comprobar cómo buscan trascender los límites disciplinares en un proceso de ...evolución que apenas dura veinte años. Nos centraremos en finales de los cincuenta y la década de los sesenta. En una primera etapa, que corresponde a su periodo de residencia en París, entienden el arte de una manera objetual. Un arte de vanguardia que tiene de referencia a figuras como Picasso y Duchamp. En un segundo momento, su idea transita del objeto al espacio artístico. Un cambio de mentalidad que coincide con un cambio de residencia. De París se trasladan a Nueva York, dónde descubrirán las posibilidades del espacio y trabajarán bajo la influencia de artistas como Pollock o los del Pop-Art. A partir de entonces, sus trabajos excederán los límites disciplinares, pudiendo recibir múltiples definiciones como la de instalación. Un entendimiento del arte de plena actualidad.
Alexander Haralambiev (b. 1930) is a lawyer from Belogradchik. Endowed with creative abilities, Haralambiev in his spare time creates small clay figures. His mother, Boyana Stefanova, and his ...grandfather, Dr. Alexander Stefanov, were people of creativity as well. Here we show for the first time a part of the rich collection of his creations: small clay sculptures.
Resumen El artículo presenta una nota desconocida de Rafael Dieste sobre una exposición de dibujos y grabados del artista uruguayo Adolfo Pastor en la Galería Viau de Buenos Aires. Esta nota, ...aparecida en Pensamiento Español en 1942, es la tercera de las colaboraciones de Dieste en la revista que llevaba adelante un grupo de exiliados españoles. Se brindan datos bibliográficos precisos sobre los dos poemas que Dieste publicó en ella, ya conocidos gracias al tomo 1 de sus Obras completas, pero de los que no había mayor información. Asimismo, se describen los rasgos y vínculos editoriales más inmediatamente reconocibles con el fin de reconstruir el mundo cultural del exilio.
A plastic arts workshop makes no claims to provide therapeutic benefits. Patients are invited to attend without any clear objectives. This occupational activity soon becomes rooted in the care ...approach. Supported by the nurse, patients draw on their creativity and express a shared pleasure for artistic production. The story of Cyrille conveys a real journey, a vehicle for mental reconstruction, towards the path of possibilities.
PDF
