This paper presents a case study of the thread and cotton yarn factory Dalmatinka in Sinj, focusing on workers’ culture as the backbone of collective memory within the local community. Starting with ...the history of this industrial plant, through the elaboration of the concept of labor in the context of socialist Yugoslavia, the study identifies several narrative elements as the basis for the construction of workers’ memory. Based on their accounts, the relationship between workers and the factory is explored through the concepts of life history and life story and in relation to the construct of the socialist man. Following these conclusions, the paper concentrates on contemporary interpretations of Dalmatinka’s immaterial heritage. An analysis of a civil initiative project, aimed at reevaluating the factory’s contribution to town’s infrastructural, economic and cultural development, indicates a sustained presence of Dalmatinka in the collective memory.
In the former Yugoslavia, Students' Cultural Centres played host to the conceptual and performance art scenes that came to be known as the 'New Art Practice', fostered under the political programme ...of socialist self-management. This article traces a specific episode in the history of Novi Sad's Youth Tribune, when the city's New Art Practices crossed into political engagement and provocation. I follow the increased bureaucratisation of the Youth Tribune - the resistance to it, and the coercive consequences - along with the ultimate dilution of radical practices in Novi Sad, that forced its key players to appeal to an 'Invisible Art'. Though Yugoslavia is frequently characterised as a country which encouraged public debate, the unique and important case of Novi Sad reveals the consequences of a direct confrontation with the city's cultural apparatus, at a moment marked by oppressive change and political turmoil.
This paper considers the landscape as both a material and an ideological representation and starts from the assumption that spatial patterns arise as a result of the ideological imperative of the ...process that forms the landscape. The research takes on a historical-interpretative approach in the domain of architectural and urban studies, enabling in-depth qualitative exploration of the textuality and layering of the modernist rural landscape through a case study of the PKB Agricultural Combine as a driver of the urban development of Third Belgrade, the spatial framework of the left riverbank of the Danube in the administrative area of Belgrade. The research was conducted by chronologically interpreting primary sources, notably planning documents of different levels and scope, as well as studies, programs and development models for the urbanization of this territory. The research aims to decode the impact of socialist agrarian policy on the land-use in the wider metropolitan area of Belgrade, as well as the impact of the agricultural combine as a spatial, social, economic, environmental and political entity on the urban development process at different spatial levels. The research has identified four periods in the development of Third Belgrade: (1) Production of the Modernist Rural Landscape, (2) Establishment of the Self-Management Planning Framework, (3) Humanization of Environment, and (4) Post-socialist Transition and the Collapse of the Agricultural Combine. The paper demonstrates not only that environmental transformation cannot be separated from social transformation but also that they are in constant interaction and that their synergy has had a profound impact on the development of the PKB Agricultural Combine system in socialist conditions. The textuality of the modernist rural landscape confirms that an object-oriented approach is not enough to explore and interpret the landscape, but rather, we should look at the way it is socially produced through decoding the planning, institutional and policy frameworks determining the urban development of a territory.
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