In the training process within the textile art course, a system of methods of studying and applying the elements of the plastic language is used within the proposed methodology, which was followed by ...the development of artistic creativity in the students of the plastic art faculty. These methods were developed and applied in the course of textile art for the compartments: elaboration of creative compositions; consciously applying the elements of plastic language; studying and applying ornamental motifs in the textile art course. The methods developed for the textile art course, in their interaction, will contribute to the development of the student's artistic creativity, helping him to execute the creative product in the field of textile arts.
Jordan Peele’s 2017 social thriller "Get Out" depicts a peculiar form of body swap resulting from the uncanny desires of the Armitage family to seize captured black bodies and use them as carriers of ...their white minds. This paper offers reading of the movie’s disturbing plot through the lens of the origins and cultural significance of blackface. For the sake of argument, in this article blackface is to be understood as a cultural phenomenon encompassing the symbolic role of black people basic to the US society, which articulates the ambiguity of celebration and exploitation of blackness in American popular culture. This article draws on the theoretical framework of blackface developed by Lott, Rogin, Ellison and Gubar, in order to explore the Get Out’s complex commentary on the twenty-first century race relations in the United States. In result, this paper turns the spotlight on the mechanisms of racist thinking in the United States, by showing the movie’s use of the apparatus underpinning blackface.
Kwestionariusz: kultura wizualna rasy Siapera, Eugenia; Průchová Hrůzová, Andrea; Nguyen Vu, Thuc Linh ...
Widok. Teorie i Praktyki Kultury Wizualnej,
2020
28
Journal Article
Recenzirano
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Do kuratorek i kuratorów, krytyczek i krytyków, artystek i artystów, teoretyczek i teoretyków wysłaliśmy zaproszenie do rozmowy o skomplikowanych relacjach między obrazami, wyobrażeniami i "rasą". ...Poniżej publikujemy ich odpowiedzi.
Artykuł poświęcony jest autoportretom współczesnego afroamerykańskiego artysty Paula Mpagi Sepuya, specjalizującego się w fotografii studyjnej. Sepuya w swoich autoportretach podnosi problem ...współczesnej reprezentacji czarnego queerowego podmiotu, uwikłanego w relacje międzyrasowe. Autorka analizuje, w jaki sposób fotograf zaciera granicę pomiędzy podmiotowym „ja”, a „my”, przedstawiając twórczy kolektyw, gdzie relacja model – artysta, artysta – model definiowana jest na fundamencie uczuć miłości oraz przyjaźni. Autorka omawia zagadnienia aktu homoerotycznego oraz hiper-widzialności i niewidzialności rasowo determinowanego podmiotu.
The present study will only refer to the Early Hallstatt, Ha A-B, the beginning of the first Iron Age brought important transformations recorded in ceramics, once the production forces started to ...develop because of the spreading of iron metallurgy. In a time when ceramics suffers major transformations regarding forms and decor – we are talking here about the first period of Hallstatt (the early one) – the Hallstatt Complex with incised and engraved ceramics completes the image of pottery at that time, together with the other great cultural unity (the horizon with fluted ceramics).
This article focuses on the self-portraits of contemporary African American artist Paul Mpaga Sepuya, who specializes in studio photography. In his self-portraits, Sepuya raises the issue of the ...contemporary representation of the black queer subject caught up in interracial relations. The author analyzes how the photographer blurs the boundary between the subjective "I" and "we," presenting a creative collective where the model-artist, artist-model relationship is defined on the basis of feelings of love and friendship. The author discusses issues of the homoerotic act and the hyper-visibility and invisibility of the racially determined subject.
Passing of a Roma Body Weychert, Monika
Widok. Teorie i Praktyki Kultury Wizualnej,
2020
28
Journal Article
Recenzirano
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Antiroma prejudice is among the most persistent and intense kinds of racial hatred in Europe. While criminal or demonic depictions of the Roma were created, their “blackness” was considered ...abhorrent, described as, for instance, yellowish and dirty, while their hair was always “shaggy” or curling “like vipers.” The “blackness” was believed to be an outcome of an uncivilized lifestyle, dirt, smoke from bonfires, or conscious creation – a picaresque camouflage. Romophobia or antiziganism have continude to rely on colour, visuality and visibility of the body to exclude people by reason of race. The article discusses the strategy of passing which enables the Roma to survive in a racist environment, or has been at times the only way to survive, as well as other subversive strategies of performing skin colour observed in the creative output of contemporary visual artists of Roma origin: Delaine Le Bas, Tamara Moyzes, Emilia Rigová and Kálmán Várady as well as creators and performers of Roma Armee and slammer Kristóf Horváth.
Based on the recent sculptural projects of Mihai Verestiuc, we will establish a conceptual connection of with the practice of post-minimalist sculpture, using as argument certain lines developed by ...artists such as Joseph Beuys and Rachel Whiteread in their works analysed in this article. The course of the works, in itself, offers us the opportunity to reflect on the assumed responsibility towards the formative impact that any artistic object offers in relation to the environment in which it is produced (social, cultural, economic or political) and that starts from the artist through all the elements implicit of his approach - the concept, the specificity of the material and the space, the socio-cultural reality.
This article discusses the issue of curricular adaptation of subject content for students attending courses in Clothing Design and Visual and Decorative Arts in which the content of the national ...curriculum components is correlated with the student's real possibilities to prioritize and compare their individual vocational performance and accumulated acquisitions during the development of design projects, following the individualized and differentiated curriculum in Clothing Design courses through algorithmic teaching strategies or heuristic strategies that require creativity in order to achieve global or sequential learning tasks.
Visual Lessons Burska, Bogna; Morra, Joanne; Pijarski, Krzysztof ...
Widok. Teorie i Praktyki Kultury Wizualnej,
2019
24
Journal Article
Recenzirano
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A transcript of the discussion Image Lessons. Visual Pedagogies in Troubled Times, which took place at the Institute of Polish Culture, University of Warsaw on December 18, 2018.
