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JOSEPH, PHILIP
PMLA : Publications of the Modern Language Association of America, 10/2016, Letnik: 131, Številka: 5Journal Article
This essay compares Grimmelshausen's Simplicissimus (1669) and Saro-Wiwa's Sozaboy (1985), approaching them as picaresque war novels that tell the story of a vernacular language becoming literary through brutal war. Despite differences of language, nation, and time, the novels of Grimmelshausen and Saro-Wiwa share a structural similarity traceable to their respective postwar contexts. These novels rewrite the expected relation between war and language. Instead of privileging the damage done to speech, they authorize a spoken language through the medium of a highly mobile rogue protagonist. Grimmelshausen and Saro-Wiwa contend with the question of whether a language, lacking the official status guaranteed by a sovereign state, is strong enough to constitute and represent a territory divided by civil war. In their works, war tears apart a territory and lays the foundation for its autonomous postwar culture all at once.
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Leto | Faktor vpliva | Izdaja | Kategorija | Razvrstitev | ||||
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JCR | SNIP | JCR | SNIP | JCR | SNIP | JCR | SNIP |
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Povezave do osebnih bibliografij avtorjev | Povezave do podatkov o raziskovalcih v sistemu SICRIS |
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Vir: Osebne bibliografije
in: SICRIS
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