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Horlacher, Gretchen
Music theory online, 03/2018, Letnik: 24, Številka: 1Journal Article
This paper explores relationships between musical and balletic structure in Balanchine’s choreographies of Tchaikovsky’s op. 48 Serenade and Stravinsky’s Orpheus . It demonstrates how movement in music (phrase shapes, melodic directions) and movement in ballet (in individuals and in the corps de ballet) may respond to one another, especially in how each art form follows and alters its own conventions.
