The romanticised and stereotyped construction of the Romani people absorbed by mainstream society has contributed to the obliteration of their cultural complexity and their ensuing alienation. The present article analyses how the memoir The Stopping Places (2018), by the British Romani writer Damian Le Bas, makes a case for the borderlessness of his people. It is the main purpose of this study to underscore Romani identity as inherently multidirectional, hence allowing for a relational, intercultural dialogue aimed at transcending the long-standing Romani vs. non-Romani tension. For this purpose, Le Bas' network-like journey across some key stopping places is read as an endorsement of the synchronicity and interconnectedness characterising our present world. His narrative is an empowering attestation that foregrounds the fruitful interactions between the Roma and other cultures and sets the assumedly distrustful and protective Romani as an example of cultural flexibility.